For a band that has been gaining momentum over the past several releases, Blitzen Trapper’s latest, American Goldwing finds the Portland group pausing a bit to catch their breath.
World Wide Rebel Songs at its core resembles the structure of The Nightwatchman’s previous two records, but the sound broadens somewhat with the addition of more production instrumentals.
A large thematic portion of The Wandas debut album appears to be focused around the idea of chasing after love, or quite possibly the missing out on that existence. Listening to the instrumentation of the majority of this album, it wouldn’t be as apparent to interpret the lyricism as depressing matters; it nearly is disguised. That could be viewed as a success in terms of expressing, or changing, that idea within the sound that makes up this band.
he effervescent enthusiasm that pervades Tommy Keene’s new album, Behind the Parade, belies the artist’s nearly thirty-year career as a cult figure. Sample the previous high points of his discography– Places that Are Gone or Based on Happy Times– and listen for a discernible difference in energy.
Tripper has more of a narrative focus than previous Fruit Bats efforts. On his fifth album, Eric D. Johnson consciously shifts to story-based songs.
JEFF The Brotherhood is Jake and Jamin Orrall of Nashville, Tennessee, owners of Infinity Cat Recordings. The bare bones duo, just guitar and drums, played 230 shows last year and were hailed by Spin magazine as one of the “must see” acts at this year’s South by Southwest. Their new album, We are the Champions, is eleven tracks and a short 35-minute. It’s packed with jagged scuzzed-out guitar riffs that hop between Weezer style chunky rhythms, sharp, classic rock swagger, and blasts of powerful punk power.
[rating=4.00] When Dave Stewart’s new album, The Blackbird Diaries, opens, the initial shock of finding a smoking, swinging roots-based rock jam is quickly assuaged by digging into the caliber of
Surprising, then, are the few rare times when language meets product, and an album breathes new life into a seemingly static journey. A great example of this is Catie Curtis’ new record, Stretch Limousine on Fire, which after a string of fairly nondescript and traditional Curtis folk/pop records thrusts her square back on top of her game.
Following the well-received debut this “super group” got the last time around, it’s not that surprising that Glenn Hughes, Joe Bonamassa, Jason Bonham and Derek Sherinian would get back together for another kick at the rock and roll can.
Zomby does a great job in taking care of the music department, as Dedication kicks off with definite club music vibe slowed down to mid-tempo grooves. The music should rightfully be several times faster than it actually is, and it takes some settling into; it’s an odd feeling. But like they say (‘they’ being non-existent entities I just made up for the sake of convenience): Odd is always interesting, if nothing else.
