Album Reviews Archives - Page 553 of 712

Papercuts: Fading Parade

Chris Calarco March 11, 2011 No Comments

Jason Robert Quever's friends and former teammate Beach House has made a massive splash with their version of modern dream pop and the genre continues to gain steam in the mainstream. While Fading Parade is artfully constructed its power does not last, literally wilting from a lack of punch as the album plays on as perfectly fine background music for a rainy day. This is lush vicodin pop but it’s a little gloomy, a little hollow.

North Mississippi Allstars: Keys To The Kingdom

Shawn Donohue March 10, 2011 No Comments

With the passing of their father the Dickinson boys, Luther and Cody teamed back up with bassist Chris Chew and released this heartfelt collection of southern rock that they “Produced for Jim Dickinson”.

The Twilght Singers : Dynamite Steps

Jason Macneil March 10, 2011 No Comments

Greg Dulli is a very talented singer-songwriter. From his days in Afghan Whigs to his more recent collaboration with Mark Lanegan in The Gutter Twins, he has continued to make passionate, purposeful music. And Dynamite Steps, his latest offering under The Twilight Singers comes extremely close to matching the beauty of 2003’s Blackberry Belle.

Fatback Circus: Fatback Circus

Shawn Donohue March 8, 2011 No Comments

This Austin four piece has released its fourth full length self titled album and it opens with rising guitar lines and vocals just as high on “Angel-ess”. The group is fronted by twin brothers Nathan Campbell on vocals/guitar and Aaron Campbell on lead guitar; think of them as a humor removed Dean and Gene Ween.

Ben Ottewell: Shapes & Shadows

Jeff Strowe March 7, 2011 No Comments

For a band that features three uniquely talented songwriters, it’s no surprise that the members would find themselves stepping out for a diversion or two in the form of a solo record. And so it is that we find Ben Ottewell following the lead of bandmate Ian Ball’s 2007 sojourn with the release of Shapes and Shadows, a charming and impressionistic assemblage of tunes t dothan’t reinvent the Gomez sound, but serve as a nice addendum to their sturdy catalog.

Akron/Family: S/T II : The Cosmic Birth and the Journey of Shinju TNT

Chris Calarco March 3, 2011 No Comments

This is a collection that blends together so seamlessly it sounds as if the whole album was birthed in one torrential, tropical downpour. There seems to be a vague island/ocean theme to the record that ties the mood together in a strangely epic way. The songs themselves don’t sound particularly tropical or influenced by any notable oceanic culture but there is a wondrous, hazy feel that sprawls across the album.

Creeping Weeds: See Through

Shawn Donohue March 2, 2011 No Comments

The Philadelphia five-piece has created a hazy indie-pop gem with See Through. Pete Stewart, Justin Seitz, Chris Wirtalla. Kate Stewart and Cara Stewart have managed to sprinkle parts of major artists throughout the 11 tracks but never overpower any of them with mimicry.

Tiny Animals: Our Own Time

Chris Calarco March 2, 2011 No Comments

Our Own Time is the second album from New York City’s Tiny Animals. A mainstream power-pop trio from New York City the band has gained notoriety through placement on MTV shows Jersey Shore, 16 and Pregnant, and The Real World. Strong reviews of their live show at last year’s Bonnaroo created a buzz for the band that remains with North Street Records.

Brooke Annibale: Silence Worth Breaking

Brian Palmer March 1, 2011 No Comments

Silence Worth Breaking is so stunning because the album’s title is extraordinarily appropriate. Annibale has a lot to say because she has listened much and learned a lot about life, and whatever wisdom she has to impart is made even more incredible because she shares it as a story instead of giving a sermon. Her vocal restraint is amazing at times, startlingly confident in others and all the while she infuses her performances with unadulterated joy.

Jerry Garcia Acoustic Band: Almost Acoustic/Ragged But Right

Doug Collette March 1, 2011 No Comments

There’s a beautiful logic to Jerry Garcia’s rediscovery of his roots in these late Eighties recordings that belies Sandy Rothman’s casual tone in writing “The Definitive History” of The Jerry Garcia Acoustic Band. The initial recording Almost Acoustic hasn’t been available for over two decades, but now newly remastered, it’s easy to hear where Garcia learned the precision that informed his guitar (and pedal steel) work with the Dead and JGB. No sequel was ever released until recent archiving exhumed a collection of live tracks, Ragged But Right, that display the same collective joie de vivre as its predecessor.

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