Album Reviews

Cold War Kids: Robbers & Cowards

Thanks to the blogosphere, certain bands have suddenly been hot Monday and cold by Friday; just ask The Arctic Monkeys, Clap Your Hands Say Yeah and Tapes 'n Tapes. The new kids on the blog, Cold War Kids are out to prove that “longevity” has a place in the hot today, cold tomorrow world of indie bloggers. Judging by their stellar debut Robbers & Cowards, you might find yourself on the bandwagon, even if you find their praise "unjustly deemed."

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French Kicks: Two Thousand

Indie pop is amazing: it is an endless stream of music, all roughly built around the same instruments and musical structure, yet one can still find music that sounds refreshingly new, interesting, and listenable.

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Robert Randolph and The Family Band: Colorblind

It’s easy to enjoy Colorblind, but in the end, it will have you searching for a copy of his stellar debut Live at the Wetlands. That's the rub with Robert Randolph, as years ago, the more his sets grew repetitive and his jams predictable, the more we craved stronger, more varied songs. But does the quest for songs mean no more goofy, sloppy fun?

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Eric Bachmann: To The Races

It's hard to write about Eric Bachmann and his new solo effort To The Races without comparing it to his previous work with Archers of Loaf and Crooked Fingers. However, it is worth a shot, simply for the reason that while this is still the same Eric Bachmann, but it is very stripped down so that it is just Eric Bachmann.

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Sean Lennon: Friendly Fire

Sean Lennon’s debut, 1998’s Into the Sun, had laid-back, jazzy undertones that afforded him positive reviews and a place in the contemporary music world apart from either of his iconic parents. Now at age 31, Sean Lennon has matured and it is purely evident on Friendly Fire.

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Willie Nelson: Songbird

A superb release, yes; but comparisons to recent works should bear the acknowledgment that there are many, many Willies floating around these days. Still, the collaboration works, and leaves us hopeful that Adams and Nelson's studio stint was a raucous, hazy bender that has them eager to meet again.

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Ratatat: Classics

When Ratatat first popped up a few years ago, their intriguing collection of drum beats and spacey guitar work set them apart from most bands. Sure, other instrumentals were eyeing the same avenues, but Ratatat put the mental n instrumental with their border-breaking goldmine of catchy as fuck beats and just plain solid songs.

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Comets on Fire: Avatar

Comets on Fire updates the grind of the ‘70s with clean production and melodic piano noodling putting it in a context both timeless and contemporary. All this is accomplished within a framework that would please Iron Butterfly. Avatar is a great way to keep listening to old-school “hard rock” without being accused of being out of touch with the music of today.

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Mohair: Small Talk

Like the Magic Numbers’ recent debut before them, Mohair is bound to make another dent as new classic pop songwriters from across the way.

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Chad VanGaalen: Skelliconnection

On Skelliconnection, Chad VanGaalen offers up a wealth of musical influences, somehow crafted into a listenable, if not exactly earth-shattering, album. One hears, in his sound, hints of Joseph Arthur, Cloud Cult, and any number of Sub Pop artists. It is perhaps no surprise, then, that he is being touted as a combination of Iron & Wine, The Postal Service, and The Shins.

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