A.C. Cotton: Notes For The Conversation
Jason Gonulsen
December 3, 2004
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By the time you finish listening to A. C. Cotton
Album Reviews
Razorlight: Up All Night
Shane Handler
December 2, 2004
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The British four-piece Razorlight delivers so much run of the mill garage rock that even lead singer Johnny Borrel – despite his fervor – comes off as a second hand front man. Singing of blaze adventures such as
Chris Thile: Deceiver
Jason Gonulsen
December 2, 2004
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On Deceiver, Thile does it all, reinventing himself to the greatest degree; every note, word, and breath on the album comes from him.
Rilo Kiley: More Adventurous
Shane Handler
December 1, 2004
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The buzz about Rilo Kiley being everybody
Ben Harper and the Blind Boys of Alabama: There Will Be A Light
Mike Greenhaus
November 30, 2004
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A truly excellent album, There Will Be A Light does justice to the Blind Boys
Kokoro: Inspiration Flow
Dustin Glass
November 30, 2004
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In their short existence since being drawn together as a quartet at Montreal
Groovin’ Ground: Dome
Kenny Bohlin
November 24, 2004
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Making a solid album is a difficult task for most jambands – Groovin
Barry Cleveland: Volcano
David Boffa
November 23, 2004
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The feel of Cleveland’s music – a combination of Afro-Haitian rhythms mixed with jazz and acid rock – is best described as a drum-circle gone bonkers. Throw into the mix a myriad of flute, clarinet and electronic synth solos with Cleveland’s quirky guitar style and you have the ingredients that make up an avant-garde masterpiece.
The Faint: Wet From Birth
Garin Pirnia
November 22, 2004
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Omaha, Nebraska is slowly turning into the new New York with a couple of bands emerging from the cornfields to make big names for themselves. The first to do so was the emo band Bright Eyes headed by Omaha native Conor Oberst. Now it’s the electro-dance group The Faint.
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