If you asked anyone in the sold out crowd that filled Sidewinder in downtown Austin last Thursday night, March 30th, when the last time they saw HORSE the Band was,
It can’t be said enough how much Come and Take It Productions has done with Austin’s new metal hub. Grizzly Hall, now renamed Come and Take It Live, has been
In a perfect world, Wire should need no introduction. But as punk’s defining cult band, they certainly have never received the widespread notoriety and acclaimed they are due. Perhaps it’s
Lyle Lovett has made a career out of enchanting people with his voice but if you strip all of his usual big band support: what you get is a heartfelt presentation
Looking out from the balcony of New York City’s Bowery Ballroom this past Wednesday evening, one couldn’t help but notice the constant stream of long gray and white hair below
The Los Angeles based ska/funk/freak-outfit Fishbone have been touring the last few years with various line-ups and to various sized crowds. For their most recent trek around the country the
Portland, Oregon’s Crystal Ballroom came alive Friday night as Yonder Mountain String Band brought their progressive bluegrass party to town. Nearly 20 years into the band’s existence, they continues to
Big Ears Day Three once again featured artists sharing a passion for innovation. Few wind up creating a new form, but each demonstrated the wide variety that musical innovation can
Touring in support of their newest record, Polar Similar, metalcore veterans Norma Jean rocked Grizzly Hall Friday night with a set that embraced the power of change and the transition into
Jazz composer and pianist Carla Bley acknowledged a standing ovation following a stirring performance of her composition Anthem, as one of the opening shows at this year’s Big Ears Festival
