Show Reviews

Edward Sharpe and the Magnetic Zeros: Bonnaroo 2010, Manchester, TN 6/11/10

It was around 2pm last Friday when a huge crowd began to gather around Bonnaroo’s Other Tent. As the happy mob swelled and overflowed onto the grassy hillside surrounding the stage it became irrefutably clear that Edward Sharpe and The Magnetic Zeros were on a lot of people’s must-see list at this year’s Bonnaroo Music and Arts Festival. At 2:30 the enthusiastic crowd welcomed the group to the stage, saving the largest measure of their applause for the appearance of singer Alex Ebert.

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Bonaroo 2010 – Sunday Recap – Cluth, John Fogerty, They Might Be Giants, MMW. Phoenix, Dave Matthews Band

After the dual spectacle of Wonder and Jay-Z Friday evening, I did a few slow laps around Centeroo, marveling that the last day of Bonnaroo 2010 had arrived – and that most people just didn't know it yet. Easing by each music tent, I circled, impaling my brain on a sort of late night "sensory spit." Dan Deacon's slapdash, noisy barrage of sounds is incredibly jarring in the live setting. The exploratory fascination of his last album, Bromst, was challenging, but not nearly as challenging as watching his band attempt an approximation of the sound live. It's the kind of music that can give you a skin condition after prolonged exposure.

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Bonnaroo 2010 – Friday Recap – Conan O’Brien, The Flaming Lips, Umphrey’s McGee, Kings of Leon, Tori Amos, The National, Michael Franti, Tenacious D

Friday at Bonnaroo 2010 was one of those special days when you felt the collective electricity of bands and audience surge through your body as soon as your feet hit the ground on site. Just up the road waited a top-shelf open bar of music with enough spirits to create a limitless array of personalized audio-visual cocktails, and no two people concoct the same blend.

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Gregg Allman: Hard Rock Live, Biloxi, MS 6/4/10

Gregg Allman took the stage on a Friday night to such a round of applause it would have humbled a hardened man. His congregation loves him deeply and it shows in the way they follow him around from town to town, state to sate, just to hear him sing songs that he has sung hundreds of times. It was in the air, this electricity that causes the hair on the back of your neck to stand up straight, as Gregg and his band took over that stage and held this crowd till the last note of “Statesboro Blues”.

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Cedric Burnside and Lightnin

Raised on the raspy hill-country blues of Mississippi, Cedric Burnside and Lightnin’ Malcolm have played with many of the greats, and it shows.

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Conan O’Brien: Mohegan Sun Arena, Uncasville, CT 6/6/10

When one of the biggest names in televised comedy goes on tour, it’s a rare opportunity to deliver the best material, with no censorship, night after night.  Likewise, Conan O’Brien gave the packed Mohegan Sun Arena much more than an hour of stand-up.  All of his old friends from late night helped out onstage: Andy Richter, the house band, even Triumph, the Insult Comic Dog, via video. 

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Thee Silver Mt Zion Memorial Orchestra: The Ottobar, Baltimore, MD 5/18/10

Thee Silver Mount Zion is an amazing band that pushes the possibilities of music to the point that they are hard to define. While post-rock seems to be the most common pigeonhole, even that term's undefined, forward-focused nature seems woefully inadequate. Frankly, before this show, I could appreciate SMZ's albums more that I could enjoy them. Are they one of today's best bands? Yes. Do I play them often? No.

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Pat Metheny: Keswick Theatre, Glenside, PA 5/18/10

To give you an idea of the magnitude of Orchestrion and how Pat Metheny’s system works, imagine a controlled orchestra that at times can respond only to the input of one single instrument, in this case the guitar.  Each instrument is programmed and synchronized to react to what is played on Metheny’s guitar or previously composed and similarly he has the ability to control which instruments are playing at a given time. Last Tuesday was no ordinary show when Pat Metheny brought the tour through the Keswick Theatre in Glenside, PA to an audience that was curious to see the virtuoso in a different element. 

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Caribou: Cat’s Cradle, Carrboro, NC 5/12/10

Carrboro, North Carolina’s Cat’s Cradle has always been a favorable spot for bands on the fringe of public consciousness. Caribou, for instance, would likely have a hell of a time drawing a few hundred people in Raleigh, Charlotte, or Asheville. But in Carrboro, the artist sometimes known as Daniel Snaith performed to a near-sellout crowd, and it wasn’t the first time he’s packed the house at the venue. However, last time he was in town the sound was better and the music infinitely more engaging.

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