DVD Reviews

The Black Keys : Live At The Crystal Ballroom

This is a no-frills DVD from the no-frills Akron, Ohio duo. We catch them in their live element and thus fans will rejoice and haters will not be swayed.  The Black Keys play a compact set that – encore included – just breaks the hour mark, no guests, and no major surprises, just straight ahead white boy blues/hard rock.  Dan Auerbach shaggily fires off riffs and vocal grunts on fan favorites “Stack Shot Billy” and “10 am Automatic” and drummer Patrick Carney crushes his foot pedal into dust on the thunderously jammed out “Busted”.    The sound is excellent here with Carney’s floor tom vibrating through the screen while the fluid segue between “Set You Free” and “ThickFreakness” screeches.  In the end, no doubt there is fiery playing however, there just doesn’t seem to be much variety and the set ends up feeling like one long song.    Visually the direction and the lights are major players, Lance Bangs who uses more tight shots and close-ups to accentuate Auerbach and Carney than wide stage shots, a few crowd pans are tossed in, as well, to break it up.  The editing was heavy, but not hyper-spastic – a mixed bag overall.  The lighting, on the other hand, is flawless and inventive, cascading over the sold-out house, playing havoc with lenses and creating fantastic visuals, Mike Grant should be commended for his work here.    There are only a few extras, three “official” music videos, some behind-the-scenes-footage, as well, but the live set is why fans are buying it, especially if they caught the Keys on this tour.  It will definitely stay in the collection but this effort would seem to play better as a background disk at a party than a sit-down-to-be-studied concert film.   

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The Who: At Kilburn 1977

The two shows on this DVD are a lot like hearing that stutter in "My Generation" or the huge guitar of "Baba O'Reilly" for the first time. It's just great rock n roll in its purest, most deliberate form.

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Smashing Pumpkins: If All Goes Wrong

n June of 2007, the reunited Smashing Pumpkins (or Billy Corgan, Jimmy Chamberlain and some new members) decided to forgo a U.S. tour and instead do two residencies, one in Asheville, NC and the other at the vaunted Fillmore in San Francisco. This was, as Jimmy Chamberlain said in the documentary portion of If All Goes Wrong, "art for art's sake," finding the band putting the present ahead of their celebrated past.

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The Clash: Live at Shea Stadium

What should we expect from a live recording of a band within a year of its own demise, a band who had recently dismissed its heroin addicted drummer and was already splitting apart at the seams in the wake of its own internal turmoil? Will it show the band burning out or fading away? With Live at Shea, we get neither. Instead it finds the Clash in their prime, a prime that lasted their entire career from its earliest rumblings out of the ashes of the 101ers to the near bitter end preserved here.

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James Brown: I Got the Feeling: James Brown in the 60s

Does anyone question that James Brown was the most intense performer of all-time? If so, they haven't seen these shows. Call him what you want, Mr. Please Please Please, Soul Brother No. 1, Godfather of Soul, but the bottom line is the man performed with an energy, urgency and intensity that puts everyone else to shame.

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The Mummy: Tomb of the Dragon Emperor

The film is about as fun as an evening spent dining out at T.G.I.Friday’s and about as funny as the funnies.  Talentless shell of a man Rob Cohen sexifies this Mummy for the audience of seven-years-later, apparently doubling the budget in his requisites.

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New York Dolls: Live at the Fillmore East

Like any live album, this is no substitute for seeing the real thing, so get out there and catch these guys while you can. In the meantime though, Live at the Fillmore East should hold you over. And if you've already seen them, it serves as a great memory.

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Baby Mama: Starring Tina Fey & Amy Poehler

Baby Mama never dares to be different and for this it is doomed to be just another cookie-cutter, summer comedy that will slightly stand above the rest due to Tina Fey and Amy Poehler’s amusing performances.

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Shine a Light: Directed by Martin Scorsese

Scorsese proves there are moments where the Stones’ have slowed down in their old age and other moments where they can easily kick Coldplay’s ass. As the first rock band to age before our eyes, Shine a Light, big pay days aside, shows why the Stones have lasted longer than any other rock band.

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