Simone Felice’s All The Bright Coins hearkens to Nothing Gold Can Stay, the first project he conducted (with Robert ‘Chicken” Burke) after leaving his band of Brothers. Not coincidentally, the
Bill O’Connell’s A Change Is Gonna Come is ideally timed as the pianist, composer, and arranger is fresh off a Grammy nomination for ‘Best Arrangement (Instrumental or A Capella)’ for the
On 2018’s Black Heaven the San Diego-based, instrumental psychedelic trio Earthless completely shifted gears, scaling down their flights of fury to verse/chorus/verse hard rock offerings with singing. That change in
If for no other reason than it is more insinuating than rambunctious, Set Sail is like virtually nothing else in the discography of the North Mississippi Allstars. But then such
With 11:11 Pinegrove builds upon their distinct blend of indie, emo, and country-rock by trading out some of their usual suburban bustle in favor of something knottier; both contemplative and
Ryan Culwell’s latest, Run Like A Bull, was recorded in a swift four days. On its own that’s an extraordinarily condensed timeline for recording a full album, but in comparison,
Saxophonist Mark Lockheart has been on the vanguard of British jazz for four decades now, one surge in the ‘80s and the other here in the 2000s. Yet, his bent
There’s a well-respected podcast titled Blues Kitchen Radio that spins both new and old tunes that incorporate elements of soul, blues, and roots music that are organically ripe. Chris St.
On St. Paul and the Broken Bones debut, 2014’s Half The City, the eight-piece group joined a list of retro-soul purveyors, yet every release since then has found the band
Blues Hall of Famer, the legendary John Mayall, AKA “The Godfather of British Blues, has announced that he has stopped touring at the young age of 88 but his latest
