Reviews

Travis Linville’s latest, I’m Still Here, starts off a little slow with the decent, but ultimately unexceptional title track. A decent enough folk song, but not one that really shows

In step with her three other sisters in Our Native Daughters (Rhiannon Giddens, Leyla McCella, and Amythyst Kiah) Allison Russell is stepping out solo. The Montreal-born, now Nashville-based Russell is

In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on the new self-titled debut album from Alabama rock and roll supergroup The Blips, in his signature six-panel comic strip form.

The buzz began well over a month ago, maybe ever since James Francies’ 2018 Blue Note debut, Flight.  As bright as that one was, Purest Form is more expansive, melding

This collaboration between two incredibly gifted, sensitive, and imaginative musicians, guitarist Bill Frisell and Icelandic bassist/composer Skúli Sverrisson even goes beyond the concept of interplay. They don’t so much as

Perry Serpa’s latest, Laying Low in The Highlands, is definitely a COVID record. I mean, the first song that opens the record is called “Out of Purell.” But it’s also

Some may react to the pairing of iconic singer-songwriter John Hiatt and dobro master Jerry Douglas as a bit surprising, but it makes complete sense in the consistent thread of

Daddy’s Home, the sixth solo St. Vincent album, marks another abrupt turn for the musical chameleon. Following two art-pop albums drenched in electronic influences, this release is Annie Clark’s most

As part of the rollout for Damien Jurado’s personal record label, Maraqopa Records, he is releasing a new album, one that, like creating a label, marks a revitalization for the