[rating=9.00] We are reaching the point where many of our favorite artists are pausing to reflect, as if to ask whether they would record their beloved songs the same way
The Easy Eye Sound Revue rolled into Brooklyn Steel on Tuesday, March 27th as Dan Auerbach brought a slew of Nashville’s finest to rock and roll around his excellent album Waiting
[rating=8.00] True to her reputation as a singular interpreter, Bettye LaVette will turn heads again with Things Have Changed, putting her own spin on Bob Dylan’s songs much the way
[rating=8.00] Vermonter Caitlin Canty finds Nashville to her liking on her fourth release, a mostly dark, brooding but ultimately hopeful work, Motel Bouquet. Produced by Punch Brother banjoist Noam Pikelny,
“Can the rest of my band please come to the stage?”About to kick off the last show of a whirlwind, year-long international tour at Brooklyn’s Market Hotel on March 23rd,
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Old Scars, New Blood, the new album from Virginia punk rockers Ann Beretta, in his signature six-panel comic strip form. Click on the image for
About a third of the way into their Saturday night set at Portland, Oregon’s Doug Fir Lounge on March 24, The Mother Hips guitarist/vocalist Greg Loiacono introduced “It’s Alright,” a
[rating=7.00] Stars for Eyes is easily Mark Huff’s most accessible effort yet. It’s a set of songs that shows him making a stunning turn, from the darker, drier material that
With the home release of Star Wars: The Last Jedi, we look back on what made it such a great installment on the saga.
Broken Social Scene returned to Austin on Friday, March 23 for a comprehensive performance at Stubb’s BBQ that did not disappoint longtime fans. The Canadian music collective, formed in 1999,
