[rating=6.00] An exodus from the sweet emotionalism of his former albums, Nate Currin takes listeners over to the flipside with the hard truth on his fourth studio album The Madman and
[rating=7.00] Coming quickly on the heels of the darkly determined Istanbul/Fog of War, By The Time Your Rocket Gets To Mars finds Jerry Joseph rekindling his better known signature style, one that’s equal parts
“We haven’t been to Austin in almost four years,” Alex Scally reminisced to the sold-out crowd at ACL Live on Monday night. The dark dream-pop duo from Baltimore had, in
In the newest installment of Wannabe, artist Chris Prunckle reviews the new album from country crooner Margo Price, Midwest Farmer’s Daughter, in his signature six-panel comic strip form. Click on the image for full resolution: Read our full
M83 returned to Austin on Sunday night, touring in support of their latest album, Junk. Even with a five-year break between album releases, a fervent enthusiasm from Austinites awaited the
In 2014, Dr. Dog bassist/co-lead singer, Toby Leaman told the sold out audience at Stubb’s in Austin, “It’s always been a dream of ours to sell out Stubb’s.” In what
[rating=8.00] A style and sound can be deceptive. So it’s little surprise that with his parched vocals, weary demeanor and songs that bear a sense of worn, ragged reflection, Hayes
This past March, at the annual South by Southwest music and film conference, Philly band Low Cut Connie hauled their equipment, including a piano named “Shondra”, to approximately ten separate
[rating-6.00] Riding piggyback to Mumford and Sons as purveyors of the new populist folk, The Lumineers made a strong case their first time out that indeed, like the Mumfords, they’d
As if The Jam’s fiercely independent, willfully defiant sense of integrity needed any affirmation in these days of songs by the Clash on TV commercials, About the Young Idea ultimately
