[rating=8.00] A style and sound can be deceptive. So it’s little surprise that with his parched vocals, weary demeanor and songs that bear a sense of worn, ragged reflection, Hayes
This past March, at the annual South by Southwest music and film conference, Philly band Low Cut Connie hauled their equipment, including a piano named “Shondra”, to approximately ten separate
[rating-6.00] Riding piggyback to Mumford and Sons as purveyors of the new populist folk, The Lumineers made a strong case their first time out that indeed, like the Mumfords, they’d
As if The Jam’s fiercely independent, willfully defiant sense of integrity needed any affirmation in these days of songs by the Clash on TV commercials, About the Young Idea ultimately
[rating=8.00] There has always been an overtly punk aura around Parquet Courts’ work despite their ability to weave through the fluxing borders of such a genre. This is perhaps because
[rating=8.00] It’s one thing to be a chameleon. However it’s quite another to change your tack completely. The former J Geils frontman Peter Wolf is, shall we say, a Wolf
Widespread Panic has turned their annual Austin stop at ACL Live into something of a tradition, managing to make a stop on an almost yearly basis for the last handful
Since their first performances at small clubs in Buffalo, New York in the early 90’s, jam band sensations moe. have continued to push boundaries, from playing small intimate venues, to
The saying goes practice what you preach and that is exactly what Savages did below St. Andrews Tuesday night. In the crowded and dense basement haven of the Shelter, the
“Look at you, I love you!” Ryan Montbleau shouted affectionately to the audience as he took the stage on Wednesday night. The feeling was clearly mutual as Ryan and his nine-piece
