Soulful, stylish and sexy, Grace Potter is a force of nature. Her aura and music exude resilience and strength, and her soaring vocals are nothing short of awe-inspiring. While Grace’s
Mike Patton, Tunde Adebimpe, and doseone break bold new ground with their collaborative project, Nevermen.
[rating=8.00] As their website so proudly and accurately notes, Let Me Get By is an album of firsts for the Tedeschi Trucks Band. Their debut for Fantasy Records, this early
In the newest installment of Wannabe, artist Chris Prunckle reviews Frank Turner’s latest album Positive Songs For Negative People in his six-panel comic book form. Click on the image for full resolution: [youtube id=”P4IZbCl6iR4″ width=”630″ height=”350″]
[rating=9.00] The rapturous cross of post-punk and noise edginess upon Savages 2013’s Silence Yourself marked one of the strongest records of that year. Leading the charge with lyrical deconstruction of
[rating=8.00] Let’s be honest with ourselves: every Bloc Party album that gets release, we secretly hope will be as tremendous as the band’s 2005 debut album, Silent Alarm. For a
Railroad Earth came through Austin on a chilly Saturday with the sole purpose of using their music to bring smiles to the faces of those who had gathered at Stubb’s
[rating=7.00] Tortoise begin The Catastrophist auspiciously, much like their long experimental career— introducing us to synth keys that belong in the 8-bit realm medium. It eventually teeters off into normal
[rating=6.00] Nineties nostalgia seems to be at an all time high, which may be what draws listeners to the new record Here’s to Almost from the Virginia-based trio Feral Conservatives.
DeVotchKa has a fascinating story that, in many ways, makes them the perfect band to play with a symphony. Formed in Colorado, they got their start as a backing band
