Albany’s avant-jazz collective Bright Dog Red (BDR) released their sixth and seventh albums since signing with Ropeadope in 2018. Bad Magic and Hegemonitzed will be issued simultaneously. The band prides
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Survived, the new album from Lost Dog Street Band, in his signature six-panel comic strip form. Click on the image
For his first album in five years, Baltimore native Cris Jacobs brought in a slew of guests to help lay down his blend of Bluegrass, folk, and blues, including Jerry
Charles Bernstein’s score for the 1986 black comedy April Fool’s Day is a notable piece within the horror and slasher genre, particularly for its unique approach to blending humor with
Suppose you’ve read about singer-songwriter Charley Crockett, a Texas-born descendant of Davy Crockett. In that case, you know his nomadic, scuffling existence in the first three decades of the award-winning,
Indie folk musician Zoe Boekbinder’s latest effort, Wildflower, is at times stripped down and desolate and other times, beautiful and encouraging. The album is the result of dealing with both
Jim Gordon’s name might not be instantly recognizable, but I bet “Layla” is. You know that infamous girl from the first chord of Derek & The Dominos’ iconic song. And
Everybody Digs Bill Evans is an album that stands as a cornerstone in jazz history, showcasing the exquisite craftsmanship of Bill Evans and his trio. Released in 1959, it captures
Filter, known for their gritty and industrial sound, made significant waves in the ’90s alternative rock scene. Their ability to blend aggressive industrial elements with more melodic and accessible rock
After finally grabbing one of the big brass rings for Country songwriter and snagging a publishing deal on Nashville’s Music Row, Stephanie Lambring worked for five years writing songs for
