Reviews

Sunday at Bonnaroo 2011

If Thursday night at Bonnaroo has moved past its former status as a festival prelude, Sunday has certainly maintained its rightful place as the event’s mellow epilogue.  The music certainly isn’t mellow, but the atmosphere tends to be just that.  Sunday night’s headliner usually draws a smaller crowd, and campers begin leaving in droves.  This mass exodus makes for a full, pleasurable day for the dedicated fans, and Sunday at Bonnaroo 2011 was one of the finest yet. 

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Pat Metheny: What’s It All About

In his exploration of the limits of solo production, Pat Metheny’s last album, Orchestrion, succeeded at bringing together his own musical thoughts and combining them with technology to create an orchestra driven off of a singular input.  His latest project, What’s It All About, is a collection of acoustic covers of songs that have meant something to him, particularly in the early time period of his life where music was playing a more profound role. 

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Booker T. Jones: The Road From Memphis

Following  Booker T Jones' 2009 Anti- release Potato Hole which won the Grammy for “Best Pop Instrumental Album,” the B-3  legend returns with The Road From Memphis. Produced by Jones with The Roots' ?uestlove and Rob Schnapf (Beck, Elliot Smith), Memphis was recorded by Daptone Records mastermind Gabriel Roth with backing by The Roots.

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Saturday at Bonnaroo 2011

Crowds at Bonnaroo swelled to capacity on a typically over-the-top Saturday that saw some of the music world’s most popular live acts perform.  The teeming horde that filled the What stage field for Eminem’s headlining set rivals any assemblage of humanity in the event’s history, and the masses made for tight quarters at many of the shows.   

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SASQUATCH! Music Festival: Friday/Saturday Recap: The Gorge, George, Washington 5/28, 5/29/11

2011 marked the 10th anniversary of the Sasquatch! Music Festival, one of the most beloved and well-attended of its kind in America. Held at the breathtaking Gorge Amphitheatre in George, Washington, Sasquatch mixed indie rock, folk, punk, hip-hop and experimental music over the course of four full days. Selling out all 25,000 daily tickets in a mere couple of days, the popularity of the festival is only eclipsed by the consistent strength of its annual lineups. This year, headliners the Foo Fighters, Death Cab for Cutie, Modest Mouse and Wilco in no way embody the flashy, the opulent or the minimal; however, their solid rock-based performances were heartfelt, powerful and undeniably compelling.

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Friday at Bonnaroo 2011

As Bonnaroo built to a head on Friday, the day turned out to be a hectic and overwhelming one.  More than a few attendees were roundly confused by an evening stunt that featured parachuters dropping several thousand fluttering LED lights, and that can be attributed to the monumental amount of activity at the festival.  They could hardly be expected to comprehend the stunt or the cryptic messages borne by the cargo’s QR code after such a day.  Plus, many of them had seen Ron Jeremy in the flesh, or perhaps been berated by Lewis Black.

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Thursday at Bonnaroo 2011

Attending a comedy show at Bonnaroo is a dubious proposition for a music addict.  There are at least a couple of hours of waiting time involved with gaining entry, thus many veterans and greenhorns alike have never even seen the inside of the air conditioned theatre.  A great opportunity presented itself in the form of Henry Rollins’ performance.

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The Roots Picnic Festival: Festival Pier Philadelphia, PA 6/4/11

A summer staple, this year in its fourth annual installment, The Legendary Roots Crew hosted The Roots Picnic presented at Festival Pier at Penn’s Landing on Saturday, June 4th with an eclectic group of artists ranging from indie rock to jazz to the latest in the rap/hip-hop scene.

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Chamberlin: Bitter Blood

Forgive Chamberlin if their debut album seems to end too quickly. The band seems to be lacking in patience. They had only performed in front of friends before deciding to record an album and had only played a handful of shows in Vermont before going on a national tour with Grace Potter and the Nocturnals. Though the 9-track album is brief, Bitter Blood sounds like the painstaking work of a veteran band rather than an impromptu recording by new band-mates.

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Joseph Arthur: The Graduation Ceremony

The Graduation Ceremony grabs the listener from the start with its emotional immediacy, the flow from one beautifully-crafted song to the next. It doesn’t break new ground, specifically; long-time appreciators of Joseph Arthur will find much here reminiscent of past work. For example, the album’s second track bears beautiful memory (and nearly a guitar riff) of his earlier work “Honey and the Moon,” from Redemption’s Son; that song, by this writer’s ear, is a true gem of melodic, folk-inspired pop, and “Horses” successfully follows in its footsteps.

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