So wondrous was the sound of R.E.M.’s Murmur upon its release in 1983, that the deceptive simplicity and haunting air of this music is no less perfect in re-mastered and expanded form over twenty-five years later.
Anyone who has followed the Decemberists’ rise from just another quirky Portland, OR band to one of the most unique and celebrated indie acts around knew that this album was coming. With The Hazards of Love, Colin Meloy takes the band from the loose maritime and old-world concepts of their previous records to full-on rock opera.
Doves, unlike their aviary moniker aren’t so peaceful as they are graceful and edgey, as Kingdom of Rust flies with more sonic flairs.
First things first; just by looking at a picture of Mastodon front-man Brent Hinds, you may not want to stare too hard as his gnarly look, he may jump out of the picture and strangle you to death. But upon listening to his band’s fourth full length effort Crack The Skye, you kind of go the way of Master of Puppets- this shit is heavy by its got melody and texture.
Whether or not it gives you pause to consider why so many of this young band's songs contain recurring references to death (“St Stephen's End”), guns (“Hey Hey Revolver”) and alcohol (the two aforementioned), the fact of the matter is the quintet–even without brother Simone who's on a temporary leave from touring -perform in such a disarming fashion, Felice Brothers can charm you wholly and completely into their world.
There’s a moment in the song “Ashes of American Flags” where Jeff Tweedy sings, “All my lies are always wishes/ I know I would die if I could come back new.” And “come back new” is exactly what Wilco has done the last few years. After many line-up changes, there is finally a sense of comfortable continuity within the band, and on their new concert DVD, which is also titled Ashes of American Flags, they’ve never sounded better as a unit.
When a band sells out their esteemed hometown club, in this case, First Avenue in Minneapolis, it’s a sign that proclaims –“yeah, we made it.” Such is the theme of the Hold Steady DVD/CD combo – A Positive Rage – where the crowds get bigger and the band is running fast on momentum.
Tickets for Dumpstaphunk's March 27th show at the Highline Ballroom read "Post Allman Brothers Show,” but there were precious few Peachheads present for one A.M. start time or beyond. Not that it mattered because anyone entering the venue would've had the same reaction: an irresistible physical response to the overpowering rhythms exploding from the stage.
In the midst of a tour supporting two new Merge albums – 2008’s Conor Oberst and Outer South, due May5th – Conor Oberst and The Mystic Valley Band had a couple albums worth of material to rock out to on this April evening. Sporting a big flat brimmed black sombrero that he got on the road a couple days earlier, Oberst looked all the part of his
An all-star band the likes of which accompanied Will Bernard March 26th doesn't always work in the studio or on the stage. But the extended performance in the Highline Ballroom gave further credence to the chemistry of the diverse foursome
