When James Brown was winding down his show at a jazz festival yesterday (July 17) in Helsinki, the crowds clapped to the beat of his 1970s hit “Sex Machine,” then roared with approval when Finland’s popular president Tarja Halonen walked on stage to jive with the Godfather of Soul.
An enthusiastic audience chanted “Tarja, Tarja, Tarja,” in the balmy, bright summer evening in Pori, on the southwestern coast of Finland, wrapped in a rare heat wave. Halonen, 59, let her hair down and visibly enjoyed dancing with 70-year-old Brown at one of Finland’s oldest music festivals.
Columbia/Legacy Jazz’s restoration of its catalog of albums by jazz legend Thelonious Monk will be extended next month with four additional titles. Due Aug. 19, each has been digitally remastered and expanded with bonus tracks not on the originally issued albums.
“Criss-Cross” (1963) was the pianist’s second album for Columbia and featured tenor saxophonist Charlie Rouse, bassist John Ore and drummer Frankie Dunlop. The new version adds three bonus tracks, including unreleased alternate takes of “Tea For Two” and “Eronel.” His third Columbia set, 1964’s “It’s Monk’s Time,” is also extended with three bonus tracks, including a complete version of Monk’s closing theme “Epistrophy.” The album was recorded with Rouse, bassist Butch Warren and drummer Ben Riley.
Nine extra tracks bolster the reissue of 1965’s “Solo Monk,” an album marked by its blues numbers and standards. Two of the new tracks “Introspection” and “Darn That Dream,” first appeared on the 1979 double-album “Always Know.”
Lastly, 1968’s “Underground,” Monk’s final Columbia studio album, newly features previously unreleased alternate takes of “Boo Boo’s Birthday” and the waltz “Ugly Beauty,” as well as the first recorded take of “Thelonious.” The quartet was rounded out by Rouse, Riley and bassist Larry Gales, and expanded with on-the-spot improvised vocals by Jon Hendricks on the closing track “In Walked Bud.”