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Making a solid album is a difficult task for most jambands – Groovin
Jay Farrar is on a roll. He just announced last month that he would be reforming his popular band Son Volt, with a fresh set of faces. Building on the good news, Farrar and musical cohort Mark Spencer played an intimate show at the hallowed grounds of St. Louis’ Mississippi Nights.
Particle treated Portland to non-stop head-bobbing Dance Music for much of the night and converted many in attendance into full-fledged Particle People. With Phish on the shelf forever, Particle promises to carry the jamband scene, with the help of their contemporaries, well into the twenty first century.
Impact does its job of capturing the sport of skiing and snowboarding at its pure essence
The feel of Cleveland’s music – a combination of Afro-Haitian rhythms mixed with jazz and acid rock – is best described as a drum-circle gone bonkers. Throw into the mix a myriad of flute, clarinet and electronic synth solos with Cleveland’s quirky guitar style and you have the ingredients that make up an avant-garde masterpiece.
Photos by Robert Massie of Umphrey’s McGee at the Odeon, Cleveland, OH on 11/11/04.
Omaha, Nebraska is slowly turning into the new New York with a couple of bands emerging from the cornfields to make big names for themselves. The first to do so was the emo band Bright Eyes headed by Omaha native Conor Oberst. Now it’s the electro-dance group The Faint.
Performing as a singer-songwriter in the clubs of NYC is a rite of passage. No guarantee, but those early struggles landed Nini Camps an opening spot for Los Lonely Boys, airplay on NPR and a feature track on this year’s highly-acclaimed indie film, Motorcycle Diaries.