Beginning with the band’s 2001 eponymous debut, the Memphis, Tenn. quartet has maintained an irreverent blend of country and punk that, over time, has been blurred into a very cohesive and organic coupling.
Sauerwine outfunks even the strongest 70s bands you
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The New York Guitar Festival 2006 is honoring Bruce Springsteen’s 1982 Nebraska album with a free gala concert under the glass atrium of the World Financial Center Winter Garden, 220 Vesey Street, Saturday, January 14, at 8:00pm.
Entitled The Nebraska Project, this 25th anniversary celebration of the classic Bruce Springsteen album features on one stage a distinctive roster of singer-songwriters, bands and instrumentalists. The Nebraska Project opens this year’s New York Guitar Festival.
Performing their own arrangements of one of the ten Nebraska songs are Laura Cantrell, Dan Zanes, Vernon Reid, Mark Eitzel, Michelle Shocked, Meshell Ndegeocello, The National, Chocolate Genius, Marc Ribot, Martha Wainwright, Jesse Harris, Kevn Kinney, Lenny Kaye, Gary Lucas and Harry Manx.
“Sometimes a recording artist’s demo versions of songs are more brilliant than the final studio product. Nebraska is one of those moments in music history,” said David Spelman, Artistic Director of the New York Guitar Festival. In 1982, Springsteen chose to release the demo versions of his newest songs, recorded with only acoustic or electric guitar, harmonica, and vocals, as his sixth album, Nebraska. The rest is history. www.brucespringsteen.net
The song and artist run down for The Nebraska Project:
Nebraska – Michelle Shocked
Atlantic City – Jesse Harris
Mansion on the Hill – The National
Johnny 99 – Chocolate Genius
Highway Patrolman – Martha Wainright w/ Marc Ribot
State Trooper – Dan Zanes w/Vernon Reid
Used Cars – Laura Cantrel
Open All Night – Meshell Ndegeocello
My Father’s House – Mark Eitzel
Reason to Believe – Kevn Kinney w/ Lenny Kaye
Plus instrumental interludes by Gary Lucas, Harry Manx and Marc Ribot
Visit newyorkguitarfestival.org for complete line-up and details.
David Gilmour has confirmed a two-week, five-city tour of North America this spring in support of his upcoming solo album, “On an Island.” Dates will get underway with an April 4-5 stand at New York’s Radio City Music Hall and run through April 19-20 at Los Angeles’ Kodak and Gibson Theatres, respectively.
“On an Island” will arrive March 6 via Columbia in the United Kingdom and a day later in North America. The former Pink Floyd vocalist/guitarist will begin roadwork March 10 in Dortmund, Germany, backed by a band whose members have yet to be announced.
Gilmour promises to blend new songs with Pink Floyd classics on the trek. “I’m rather hoping that with this tour announcement people will believe me when I say, honestly, this is the only band I plan to tour with!,” he says.
The artist will bring along lightning technician Marc Brickman, a longtime part of Pink Floyd’s live production. Pre-sale tickets for the North American shows begin tomorrow (Dec. 19) via Gilmour’s Web site and will go on sale to the general public the second weekend in January.
Here are David Gilmour’s North American tour dates:
April 4-5: New York (Radio City Music Hall)
April 9-10: Toronto (Massey Hall)
April 12-13: Chicago (Paramount Theatre)
April 16-17: Oakland, Calif. (Paramount Theatre)
April 19: Los Angeles (Kodak Theatre)
April 20: Los Angeles (Gibson Theatre)
Source billboard.com.
Legendary avant-garde composer Philip Glass has another busy year ahead, including a number of live performances scheduled in the coming months.
Glass will appear with the Qatsi Project for two three-night residencies – in Paris December 16-18, and in San Francisco in February. The Philip Glass Ensemble will perform Glass’ original scores for Godfrey Reggio’s trilogy of films – “Koyaanisqatsi: Life Out of Balance,” “Powaqqatsi: Life in Transformation,” and “Naqoyqatsi: Life as War.” The films will be shown in order, one per night.
Glass also has a number of solo piano performances lined up. February’s schedule includes concerts in Colorado, Oregon, British Columbia and Alberta.
In March, Glass will collaborate with New York-based composer/violinist/bandleader Daniel Bernard Roumain at Newark, N.J.’s Victoria Theatre.
Three full albums of Glass material surfaced in 2005, in addition to a disc featuring remixes of his work by drum and bass, house, techno and ambient producers. He also composed the soundtrack to “NeverWas,” a film by Joshua Michael Stern scheduled for release in 2006.
Source pollstar.com.
he Times They Are A-Changin’, a new musical based on the songs of Bob Dylan, will premiere at San Diego’s Old Globe Theater on January 25th.
Directed and choreographed by Broadway vet Twyla Tharp, the plot chronicles a low-rent traveling circus run by Captain Arab (Paul Kandel), and his son Coyote’s (Michael Arden) longings for a world outside of the family business. The story also details Coyote’s love for a young animal trainer, Cleo (Jenn Colella), who is exploited by Arab. The musical references such Dylan tunes as “Bob Dylan’s 115th Dream,” in which Arab is a character, and “Ballad of Hollis Brown,” which features the lyrics: “Way out in the wilderness/A cold coyote calls.”
The Times They Are A-Changin’, which plans to move to Broadway, follows a series of musicals built around rock music, including the Elvis Presley-inspired All Shook Up, the John Lennon-inspired Lennon, the Beach Boys’ Good Vibrations and the Billy Joel-inspired Movin’ Out — Tharp’s previous concept musical.
Tickets for the show, which is scheduled to run through March 5th, are on sale at oldglobe.org.
Source rollingstone.com.
