Belle & Sebastian and the New Pornographers are planning to hit the road together. According to the Matador Records Web site, the multitudinous ranks of the labelmates acts will tour North America early in the New Year, although no dates are yet confirmed.
B&S have a U.K. tour slated to open Jan. 15 in Glasgow and run through a Feb. 10 gig in London. As previously reported, the group is also due to perform in March as part of the South By Southwest music festival in Austin, Texas.
The group is touring around the release of “The Life Pursuit”, due Feb. 6 in Europe via Rough Trade and a day later in the United States through Matador.
The New Pornographers have just two shows on their schedule at deadline, including a New Year’s Eve gig Saturday (Dec. 31) at Chicago’s Metro. The other, a Feb. 22 show with Matt Pond PA and dios (malos) at the Barrymore Theatre in Madison, Wis., is a makeup date for an Oct. 21 show at the venue that was postponed when bassist John Collins suffered an appendicitis attack and required emergency surgery.
In May, the band will take part in the United States of ATP (All Tomorrow’s Parties) festival in East Sussex, England, on a bill curated by the Shins.
Snger/songwriter/one-man-band Andrew Bird is planning a two-week February tour, following a busy year on the road supporting his latest full-length album, The Mysterious Production Of Eggs.
Two weeks of shows are planned, starting in Milwaukee February 2 and moving through Illinois, Indiana, Kentucky, Georgia, Mississippi, Missouri and Iowa. He’ll wrap back in Wisconsin February 17 at Madison’s High Noon Saloon.
Bird has evolved from his days fronting his Bowl of Fire band into a creative solo performer, working with pedals and other looping equipment to build his songs live.
This time around, he’ll be accompanied onstage by another artist known for his one-man-band antics – drummer/electronic musician Martin Dosh. The two performed together at several fall shows.
Ben Harper will release a two-CD set, Both Sides of the Gun, on March 21st. While Harper released a collaboration with the Blind Boys of Alabama in 2004, this eighteen-track collection, divided into nine songs per disc, is the follow-up to his last solo effort, 2003’s world music-inspired Diamonds on the Inside.
At an hour long, the new material would easily fit on one CD. But Harper wanted to give each disc a distinct sound, one harder and one softer, as he just “wasn’t able to find that magic balance.”
Among the tracks on Both Sides’ harder-edged half is the title track, which melds funk with a Seventies soul vibe, and the blues and funk-driven “Black Rain,” a song in response to the devastation of Hurricane Katrina. In contrast, Both Sides’ second half features the power ballad “Picture in a Frame,” and the romantic closer “Happily Ever After in Your Eyes,” a track Harper hopes will become “the ultimate wedding song.” (Harper and longtime girlfriend actress Laura Dern actually chose holiday tracks for their recent wedding ceremony this December 23rd in Los Angeles.)
While the California singer-songwriter turned to his usual backing band and a number of L.A. “jazz-heads” for recording, he self-produced the album and, on several tracks, played all the instruments. Harper says of his very hands-on effort, “I feel confident there’s not an ounce of filler.”
With tour plans in support of Both Sides in the works for either February or March — and a co-headlining slot for the Langerado Music Festival in Sunrise, Florida, on March 11th — Harper finds himself itching to get out on the road. “I’m jumping out of my skin. I can hardly sit still. I just can’t wait to get it out and play it.”
The ever-popular earbuds used with many iPods and other MP3 players may be more stylish than the bigger and bulkier earmuff-type headphones, but they may also be more damaging to one’s hearing, according to a Northwestern professor.
“No one really knows for sure” the levels at which iPod users listen to music, but “what we do know is that young people like their music loud and seldom worry about any decline in hearing ability,” Dean Garstecki, chairman of Northwestern’s communication sciences and disorders department, told Reuters Health.
The earbuds commonly used by iPod listeners are placed directly into the ear and can boost the audio signal by as many as nine decibels — comparable to the difference in sound intensity between an alarm clock and a lawn mower, Garstecki said. Yet, the earbuds do not always fit snugly in the ear, but often allow background noise to seep in, which causes listeners to crank up the volume.
In turning up the volume to drown out background noise, however, people “don’t realize they may be causing some damage” to their hearing, Garstecki said.
This danger is not confined to MP3 users, such as iPod owners. Earbuds are also used with compact disc players and Walkmans. Audiologists have cautioned about the potential risk of hearing loss associated with such devices since the 1980s. The longer battery life and the greater music storage capacity of MP3 players, in comparison to Walkmans and compact discs, however, encourage longer periods of uninterrupted music listening.
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Powerhouse tours by the Rolling Stones, U2 and Paul McCartney helped drive concert ticket revenues in North America to a record $3.1 billion in 2005, even as the number of tickets sold declined for the third year in row.
Fans purchased 36.1 million tickets to the top 100 concert tours, compared with 37.6 million in 2004 and 38.7 million in 2003, according to Pollstar, the industry trade magazine.
Despite a slow first-half of the year and the decline in tickets sold, concert tours in 2005 amounted to a 10.7 percent increase in gross receipts over last year’s total of $2.8 billion.
The record revenue was due largely to the rare confluence of superstar artists touring.
Other veteran acts who ended the year among the top 20 in sales receipts included the Eagles, Elton John, Neil Diamond, Bruce Springsteen, Tom Petty & the Heartbreakers, Motley Crue and Jimmy Buffett.
Green Day, Rascal Flatts, Dave Matthews Band, Toby Keith, Kenny Chesney, Coldplay, Gwen Stefani and the Anger Management Tour were among the contemporary acts to break into the top 20 biggest earners.
Drummer Mike Clark is hitting the road with another stunning group of musicians. While he has toured recently with young lions like Robert Walter, Skerik and Charlie Hunter (he will introduce some relatively unknown musicians to the jazz world later this year), he is kicking off 2006 with a tantalizing and fresh Headhunters lineup. With hundreds of years of combined performing experience, this ensemble fixes to be so funky that you just might be able to smell it.
Bill Summers returns on percussion and vocals, and things should get interesting with first time Headhunters George Porter Jr. (The Meters) on bass, Donald Harrison (Art Blakey’s Jazz Messengers) on sax, and Jerry Z (Melvin Sparks) on the organ. These diverse musicians are bonded by a combination of decades of experience playing jazz, yet an ageless zestful approach to performing. They are each very talented at listening and reacting, yet none are shy about “stepping up” when appropriate.
Thursday, January 19 | Regattabar at the Charles Hotel | Cambridge, MA
Friday, January 20 | Metronome | Burlington, VT
Saturday, January 21 | The Stone Church | Newmarket, NH
Sunday, January 22 | The Hi-Hat | Providence, RI
Tuesday, January 24 | The Knitting Factory | New York, NY
Wednesday, January 25 | Theatre of the Living Arts | Philadelphia, PA
Thursday, January 26 | Mr. Small’s Theatre | Pittsburgh, PA
Friday, January 27 | Eight by Ten Club | Baltimore, MD
Saturday, January 28 | State Theatre | Falls Church, VA
Guided By Voices, one of the most widely admired and influential rock groups of the 90’s and beyond were famous for writing an astounding quantity of really great rock songs, in a dizzying variety of styles and arrangements, and recording them on whatever equipment was at hand, whether boombox or four-track or professional recording studio. They were also famous for the revolving-door line-up whose only constant was singer/songwriter Robert Pollard, whose output moreover overflowed, on a seemingly endless series of side projects, solo records, and bizarre collaborations with ex-members of the band, current members of the band, and random passersby. Pollard, whose first post GBV release, From A Compound Eye, is due out in late January will be touring in support of it. The band will feature Robert Pollard : vocals, Tommy Keene : guitar and keyboard, Dave Phillips : guitar, Jason Narducy : bass, Jon Wurster : drums.
Thursday January 26
Athens, GA-40 Watt Club
Friday January 27
Carrboro, NC-Cat’s Cradle
Saturday January 28
Washington, DC-930 Club
Thursday February 09
Cleveland, OH- Beachland Ballroom
Friday February 10
Columbus, OH – Little Brothers
Saturday February 11
Newport, KY- Southgate House
Friday February 24
Los Angeles, CA- Knitting Factory LA
Saturday February 25
San Francisco, CA – The Independent
Monday February 27
Portland, OR- Doug Fir Lounge
Tuesday February 28
Seattle , WA- Crocodile Cafe
Thursday March 30
Minneapolis, MN – First Ave
Friday March 31
Chicago, IL- Metro
Saturday April 01
Detroit, MI- St Andrews
Thursday April 20
NYC- Irving Plaza
Friday April 21-
Boston, MA- Paradise
Saturday April 22-
Philadelphia, PA- Theatre of Living Arts
With her long-awaited sophomore album, Speak For Yourself, finally hitting stores, Imogen Heap will cross the pond to pay her American fans a visit.
After a “Late Night With David Letterman” appearance January 10, she’ll play New York City’s Avalon and make her way across the country throughout the month.
Nearly a dozen cities are on the itinerary, with Rasputina cellist Zo
The Who will launch a world tour this summer that will bring the band to North America for its first extended trek in nearly four years. “We plan to visit the USA, Europe, Japan, Australia and also South America,” manager Bill Curbishley says.
The group — which now consists of Roger Daltrey and Pete Townshend backed by bassist Pino Palladino, keyboardist John “Rabbit” Bundrick, drummer Zak Starkey and guitarist (and Pete’s brother) Simon Townshend — was forced to take a hiatus in 2005 due to Starkey’s touring commitments with Oasis and Palladino’s stint with the John Mayer Trio.
“I don’t want to stop, and I don’t think Pete does,” frontman Roger Daltrey told Rolling Stone in the fall. The Who have been working on a new album, Who2, on and off for the past decade and are scheduled to go back into the studio in February. There’s no word on whether the summer tour will feature new songs, but in March guitarist Pete Townshend posted in his online diary, “I feel I can’t tour any more with the Who without a new record.”
Townshend’s girlfriend, singer-songwriter Rachel Fuller, may open some dates on the tour.
Vincent Schiavelli, the droopy-eyed character actor who appeared in scores of movies, including “One Flew Over the Cuckoo’s Nest” and “Ghost,” died Monday at his home in Sicily. He was 57.
He died of lung cancer, said Salvatore Glorioso, mayor of Polizzi Generosa, the Sicilian village where Schiavelli resided.
Schiavelli, whose gloomy look made him perfect to play creepy or eccentric characters, made appearances in some 150 film and television productions, according to the Internet Movie Database.
In “Fast Times at Ridgemont High,” he played the science teacher Mr. Vargas, who was married to the character portrayed by Lana Clarkson. (Rock producer Phil Spector is accused of killing Clarkson at his mansion in 2003.)
Schiavelli also appeared as Salieri’s valet in “Amadeus,” as “Cuckoo’s Nest” patient Frederickson, the subway ghost in “Ghost,” the organ grinder in “Batman Returns,” and as Chester in “The People vs. Larry Flynt.” He was selected in 1997 by Vanity Fair as one of America’s best character actors.
Schiavelli, who was born and raised in New York, studied acting at New York University’s School of the Arts.
He also wrote three cookbooks and many food articles for magazines and newspapers, possibly inheriting his love for cooking from his grandfather, who had been a cook for an Italian baron before moving to the United States, according to IMDB.
“He was a great friend, a great chef and a great talker,” Glorioso, who has known Schiavelli for almost four years, said in a telephone interview.
“With a smooth, witty conversation, he would make everything look more colorful. I’ve lost a brother,” he said.
Schiavelli also had worked in Italy, including in 2001 when he directed a theater piece in Sicily based on nine fables.
A funeral service will be held Tuesday in Polizzi Generosa, Glorioso said.