2005

J Mascis Returns Behind The Drums With New Stoner Rock Band

If you’ve ever thought to yourself, “J Mascis’ guitar solos piss me off”, well, maybe his drum solos will touch you in the right spot. The long-haired dude from the recently-reunited Dinosaur Jr. is now behind the kit in a new stoner rock band: Witch. Standing in front of J in Witch are Kyle Thomas of Feathers on vox, Asa Irons (also of Feathers) on guitar, and Mascis’ longtime pal Dave Sweetapple on bass.

For those lacking faith in Mascis’ ability to pull a reverse Dave Grohl, have no fear. He was originally the drummer in Deep Wound, his pre-Dino Jr. hardcore band with Lou Barlow, and has pounded the skins with people like Mike Watt, Epic Soundtracks, the Velvet Monkeys, and Gobblehoof, as well as on various Dinosaur Jr. records.

As for Feathers…why does that name sound familiar? Well, the eight-piece Vermont band bearing crazy mountain instruments like the dulcimer and the lap harp have been opening for quite a few big shots lately, like Sufjan Stevens, Smog, Bonnie “Prince” Billy, and, of course, Dinosaur Jr. They also guested on Devendra Banhart’s Cripple Crow album (hey, who didn’t?), and self-released an album last summer.

Witch’s self-titled debut album, recorded with John Agnello (Dinosaur Jr., Son Volt, Screaming Trees) is due out on Tee Pee Records on March 7, 2006. The tracklist is short. This either means no bang for your buck or, more likely, lots and lots of solos. Check it out and don’t let track three put you to sleep:

01 Changing
02 Seer
03 Rip Van Winkle
04 Hex
05 Hand of Glory
06 Black Saint

Source pitchforkmedia.com.

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Jacob Fred Jazz Odyssey: The Sameness of Difference

JFJO enters an area that they previously let lay untouched. They stray away from their wild unruly live performances and move to a cohesion and maturity as a band. They bring highs to jazz that are virtually unheard of today while continuing to weave together solid song basses. The Sameness of Difference is filled with obvious stand outs.

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The Long Winters: Ultimatum

Not evolving into the mediocrity of Counting Crows, The Long Winters fall into the category of indie in the vein of more than one hit wonder bands Harvey Danger and Nada Surf, who are passionate and attentive about personal experiences yet have commercial appeal. Ultimatum becomes a genial sample for a band that isn

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Antony and the Johnsons: I am a Bird Now

At just over 30 minutes, I Am a Bird Now is deceptively short; a beautifully concise effort that demands to be listened to in one sitting, and rewards the experience with a glittering sonic halo.

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Nine Inch Nails Extend Tour Into March

Nine Inch Nails has added new dates to its North American tour, which now extends to March 2006. The Trent Reznor-led act will take a two-month break after performance Saturday (Dec. 10) at KROQ Los Angeles’ Almost Acoustic Xmas show and resume touring Feb. 10 at University of Illinois

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Doveman : The Acrobat

With his whispery vocals that a pin drop would overpower and a Dylan-inspired metaphor for every situation, Bartlett, who is the primary songwriter, spins ten tales of solitude and hopelessness in the big city that Nick Drake or Iron and Wine

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Wilco, Decemberists Guest On New Minus 5 Album

Scott McCaughey gets by with a little help from his friends, and that’s okay with us. For the seventh album from his chamber pop collective the Minus 5, the former Young Fresh Fellow has thumbed through his massive rolodex and come up with the kind of guest list indie rock wet dreams are made of: R.E.M.’s Peter Buck, Wilco’s Jeff Tweedy, John Stirratt, and Glenn Kotche, the Decemberists’ Colin Meloy and John Moen, the Posies’ Ken Stringfellow, Sean Nelson of Harvey Danger and the Long Winters, singer-songwriter-author John Wesley Harding, alt-country chanteuse Kelly Hogan, and, why not, Ministry’s Bill Rieflin and Mott the Hoople

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