2005

Campbell Brothers: Can You Feel It?

Shawn Carkonen June 28, 2005 No Comments

If you can

Robbie Fulks: Walking Contradiction (INTERVIEW)

Nick A. Zaino Iii June 27, 2005 No Comments

While writing his latest, Georgia Hard, Robbie Fulks found himself listening to Roger Miller, Gene Watson, Mel Street, Porter Wagoner, and Ronnie Milsap. But he’s moved well beyond his earlier hardcore traditional country classics. Rock and roll, concept albums, tribute albums, the country gentleman, the venomous purist

Scarecrow Collection: Hooked and Shattered

Shawn Donohue June 27, 2005 No Comments

Scarecrow Collection has put together a sampling of styles that runs the gamut.

Foo Fighters: In Your Honor

Shane Handler June 26, 2005 No Comments

In Your Honor won

Secret Machines: The Road Leads Where It’s Led (US EP)

Shane Handler June 23, 2005 No Comments

A year after releasing their second album, Now Here is Nowhere, The Secret Machines have dropped a six song EP to hold us over until their much
anticipated follow up arrives. With one song off of Now Here is Nowhere,
an abridged version of

Music Midtown : Atlanta, GA 6/10-6/12/2005

David Eduardo June 23, 2005 No Comments

Less than 200 miles south of Manchester, TN an impressive gathering of notable musicians and tens of thousands of live music fans was taking place that same weekend in Atlanta.

Sleater-Kinney: The Woods

Tizzy Asher June 23, 2005 No Comments

The most amazing thing about Sleater-Kinney is that they don

Spookie Daly Pride: Medicine Chest

Ross Wildman June 23, 2005 No Comments

While Spookie Daly Pride appears to be a band teetering on the brink of either being a nationally recognized band or a staple of the Boston

Garbage: Bleed Like Me

Tony Engelhart June 23, 2005 No Comments

If Garbage’s goal was to remain an unpredictable and enigmatic force with a cult following, then they have succeeded. While hard core Garbage lovers are salivating over the new record, Bleed Like Me probably isn

Beacon Theatre, NY, NY

Tim Newby June 23, 2005 No Comments

The Beacon was birthed in 1928, and as with many of its theatre brethren of the same era it began life as a vaudeville hall, before later morphing into a high-end