2005

Marc Friedman, Andrew Barr, Marco Benevento w. Brad Barr (solo) 7/13/2005: Higher Ground, South Burlington, VT

Imagine going to a music school and studying with musicians who later would go on to form bands like The Slip and the Benevento/Russo Duo. What a crazy time it must have been for Marc Friedman, Andrew Barr and Marco Benevento when they attended classes together before they went on to form their revered bands. Their bond still holds strong, as was evidenced at their show to close out

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Liz Phair U.S. Tour Dates

Having previewed her new album with a summer acoustic tour, Liz Phair will hit the road in the fall with a full band. The outing begins Oct. 6 in Ft. Lauderdale, Fla., two days after the release of the Capitol album “Somebody’s Miracle.”

The 24-date club tour include an Oct. 17-18 stand at New York’s Irving Plaza and will run through Nov. 16 in San Diego. Beforehand, the artist will shoot a video for the new album’s first single, “Everything to Me,” with director Phil Harder, who lensed such prior Phair clips as “Extraordinary” and “Why Can’t I?”

The artist performs acoustically tonight (Aug. 18) in San Francisco and will wrap the run with an Aug. 24-26 stand in her Chicago hometown.

Here are Liz Phair’s fall tour dates:

Oct. 6: Ft. Lauderdale, Fla. (Revolution)
Oct. 7: Orlando, Fla. (House of Blues)
Oct. 8: Tampa, Fla. (Jannus Landing)
Oct. 10: Atlanta (Roxy Theatre)
Oct. 12: Washington, D.C. (9:30 Club)
Oct. 14: Boston (Avalon)
Oct. 16: Philadelphia (TLA)
Oct. 17-18: New York (Irving Plaza)
Oct. 22: Montreal (Cafe Campus)
Oct. 23: Toronto (Phoenix)
Oct. 25: Chicago (Vic Theatre)
Oct. 26: Milwaukee (Pabst Theatre)
Oct. 27: Minneapolis (First Avenue)
Oct. 29: Denver (Gothic Theatre)
Oct. 31: Dallas (Gypsy Ballroom)
Nov. 1: Austin, Texas (La Zona Rosa)
Nov. 7: Los Angeles (House of Blues)
Nov. 8: San Francisco (Fillmore)
Nov. 11: Vancouver (Commodore Ballroom)
Nov. 12: Seattle (Neumo’s)
Nov. 13: Portland, Ore. (Crystal Ballroom)
Nov. 15: Anaheim, Calif. (House of Blues)
Nov. 16: San Diego (House of Blues)

Source billboard.com.

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Neil Young Debuts Prairie Wind In Nashville

Neil Young debuted material from his panoramic “Prairie Wind” album to an appreciative audience last night (Aug. 18) at the first of two shows at Nashville’s historic Ryman Auditorium. The set is due Sept. 27 via Reprise.

As previously reported, the invitation-only (save for a few radio station giveaways) Ryman shows are being filmed by director Jonathan Demme for a concert film to be released by Paramount Classics in theaters and on DVD at a date to be determined. The film will be executive produced by Clinica Estetica and Tom Hanks and Gary Goetzman’s Playtone.

The near-capacity crowd was treated to a nearly three-hour performance by Young, his first lengthy stage work since recovering from brain surgery to repair an aneurysm last spring. Relaxed and confident, Young engaged in amiable between-song stage patter, name-checking Hank Williams, Faron Young, Nicolette Larson, Vassar Clements and Rufus Thibodeaux.

Referring to the venerated Ryman as a “church of all kinds,” Young delivered stirring renditions of the new songs, conveyed in a sparse, acoustic-based style reminiscent of such classic albums as “Harvest” and “Comes a Time.”

He was backed brilliantly by such longtime collaborators as keyboardist Spooner Oldham, pedal steel guitarist Ben Keith, drummers Chad Cromwell and Karl Himmel, bassist Rick Rosas, and guitarist Grant Boatwright, along with Clinton Gregory on fiddle, horn players Tom McGinley and Jimmy Sharp, vocalists Pegi Young, Diana DeWitt, Gary Pigg and Anthony Crawford and special guest Emmylou Harris on guitar and vocals.

At times more than 30 musicians were on the fabled Ryman stage, but the focus was on Young, who sang and played with authority the album’s sprawling themes of family, love, nostalgia and spirituality. Highlights included the anthemic “The Painter” and “No Wonder” (with Keith’s haunting electric dobro), as well as more personal cuts like the wistful “Here For you” and bluesy paternal ode in the title cut.

After a first set of all new material, the second set dug into the back catalog for such favorites as “I Am a Child,” “Heart of Gold,” “Old Man,” “The Needle and the Damage Done” and “Comes a Time.” Also of a note were a rare performance of the hound dog homage “Old King” (preceded by a rambling but strangely touching intro about Young’s dog Elvis) and a show-closing “One of These Days.”

Source billboard.com.

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Ozzy’s Last Ozzfest Show Cancelled

Days after the announcement that Ozzy Osbourne is retiring as the headliner of Ozzfest, the festival has canceled what was to be the final show of the 2005 tour. The performance was originally scheduled for Aug. 7 at Floatrite Park in Somerset, Wis., but was then moved to Sept. 10 to accommodate doctors’ orders that Osbourne not perform consecutive shows with Black Sabbath.

Source: billboard

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Final Tupac Shakur Peformance Headed To DVD

Tupac Shakur’s July 4, 1996, concert at Los Angeles’ House of Blues will be released on DVD in October via Eagle Rock. The project represents what is believed to be last performance footage of Shakur before he was murdered later in the year.

At the show, the rapper was joined by such guests as Snoop Dogg, the Outlawz, Kurupt, Nate Dogg; Jodeci and Daz Dillinger. The DVD will be filled out with a handful of music videos and will also be available in UMD format for Sony PlayStation Portable devices.

Source billboard.com.

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Stellastarr* Returns To Touring

New York City’s Stellastarr* is taking a break from rocking hometown venues like Luna Lounge, Don Hill’s and Mercury Lounge to venture out on a North American tour in support of its upcoming release.

The band and its masterful combination of Brit guitar-rock and ’80s new wave will play two Canadian gigs before hitting the U.S. at Columbus, Ohio’s Basement September 12.

The following day, Stellastarr* celebrates the release of its second full-length album, Harmonies for the Haunted with a show at Chicago’s Metro / Smart Bar.

According to the band’s publicist, the album was the No. 1 most added to college radio with the single “Sweet Troubled Soul.”

Following the 2003 release of their self-titled debut album, the group embarked on a rigorous touring cycle, crisscrossing the States, U.K., Europe and Japan, supporting giants like Red Hot Chilli Peppers, Jane’s Addiction, Placebo and more.

By the end of the tour, Stella singer/guitarist Shawn Christensen was beat.
“It was a long road,” he said. “A year and a half of touring left me creatively stifled, and I needed a rest.”

After returning home and taking a much needed break, the band regrouped and began working on its next record.

Following a short stint in the Northwest, Stellastarr* will head to California, where it’ll play a total of five shows in late September. Expect to see them at L.A.’s El Rey Theatre, San Francisco’s Pop Scene and Independent, and San Diego’s Belly Up Tavern.

From there – Christensen, Amanda Tannen (bass, vocals), Arthur Kremer (drums, keyboards) and Michael Jurin (guitar, vocals) – will head through Texas, Georgia, Florida, Pennsylvania and Washington, D.C., before returning home to play New York’s Irving Plaza October 6.

pollstar.com.

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String Cheese Incident Fall Tour

The String Cheese Incident released their fifth studio album, One Step Closer, on June 28, 2005 on their own record label, SCI Fidelity Records. With the new release SCI divulge, perhaps for the first time, their genuine songwriting voice, and it’s every bit as ambitious as you’d expect.

One Step Closer was recorded at a friend’s home in the hills of Colorado’s Front Range, and was produced by Malcolm Burn (Bob Dylan, Chris Whitley, Emmylou Harris, Daniel Lanois). The recording experience proved to be cathartic for the five members of SCI, and the high and low points of the process are revealed in an accompanying DVD that features 30 minutes of exclusive B-roll footage. The end result: a gritty, free-wheeling and powerfully honed collection of 13 original songs, and a band reborn and re-inspired to continue their legacy as one of today’s most visionary and talented rock bands.

Thu Oct 06 Portland ME STATE THEATRE
Fri Oct 07 Portland ME STATE THEATRE
Sat Oct 08 Hampton Beach NH HAMPTON BEACH BALLROOM
Sun Oct 09 Hampton Beach NH HAMPTON BEACH BALLROOM
Mon Oct 10 Ithaca NY HISTORIC ITHACA’S STATE THEATRE
Tue Oct 11 Ithaca NY HISTORIC ITHACA’S STATE THEATRE
Thu Oct 13 Scranton PA CULTURAL ARTS CENTER
Fri Oct 14 Pittsburgh PA CARNEGIE MUSIC HALL
Sat Oct 15 Lincroft NJ COLLINS ARENA @ BROOKDALE COLLEGE
Mon Oct 17 Myrtle Beach SC HOUSE OF BLUES
Wed Oct 19 Charlotte NC OVENS AUDITORIUM
Thu Oct 20 Birmingham AL ALABAMA THEATRE
Fri Oct 21 Atlanta GA FOX THEATRE
Sat Oct 22 Atlanta GA FOX THEATRE
Sun Oct 23 Knoxville TN TENNESSEE THEATRE
Sat Oct 29 Las Vegas NV VEGOOSE

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DFA 1979 To Open For QOSTA & NIN

After two U.S. headlining club tours, Toronto rock duo Death from Above 1979 have been handpicked to open for Queens of the Stone Age and Nine Inch Nails when they kick off their North American arena tour October 16th in San Antonio, Texas.

DFA 1979 is a heavy-ass, noisy, dance-punk rhythm section, comprised of singer/drummer Sebastien Grainger and bassist/keyboardist Jesse Keeler. Formed in 2001, the pair released an indie EP, Heads Up, finally releasing their full-length U.S. debut, You’re a Woman, I’m a Machine, last fall to plenty of buzz.

Queens of the Stone Age frontman Josh Homme did a remix for the DFA 1979 track “Black History Month” for a U.K. vinyl pressing — also set to appear on DFA 1979’s remix/B-sides/live album due in the fall — and now the bands will be hitting the road together, even though they have yet to meet in person. Says Grainger, “We’d been passing notes like kids in school, through other bands.”

The duo doesn’t seem concerned about being dwarfed on such large stages and has no plans to alter its live presentation on the seventeen-date tour. “We’re going to get the White Stripes in and ask them how they do it,” jokes Keeler. “I think the answer is to not change anything, because what makes you famous will also keep you famous. We will continue to do what we do.”

After playing summer festivals overseas, as well as some Canadian shows, DFA 1979 are writing for their next album, which they hope to have completed by the end of December. The band has a handful of songs finished now, which Keeler believes are a leg up on the punk/industrial “You’re a Woman, I’m a Machine.” “We’re a lot better at what we do, and what’s going to be different on the next record is, now that I’ve got your attention, I can do what I want to do. The last record we made was like [Radiohead’s] Pablo Honey, and this one will be more like Kid A.”

Source rollingstone.com.

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