February 8, 2007

SXSW: An Exercise in Band Names

Anyone else think today’s initial artist announcement containing the lengthy list of 1,000 acts that’ll perform at the March 14-18 SXSW festival in Austin serves more as blatant comedic fodder than it does to build excitement?

I’m not taking anything away from the lineup by any means, it’s just that one quick glimpse of the roster…shit, the list has four bands from three different countries with names based on the word Panda, there’s Child Abuse, Dead Child and Children Collide, Psychedelic Horseshit, Holy Fuck and Holy Shit!, Lesbians on Ecstasy, and my personal favorite, This Moment in Black History.

PH

What? SXSW couldn’t snare Womb Raider, Third Hand Smoke, Stabbing Monica Seles, Schlongstein & the Well-Hung Jews, or Pontius Pilate & the Nail-Driving Five? You know, a snarky music blogger could probably trek down to the Tejas capital, eschew the recognizable names, see only bands with clever monikers like those above and come away with the absolute best review of the festival. Hmm.

A bit more seriously, the list of performers is as impressive as it is long. It’s gonna be a helluva week down in Austin, 60 stages of every genre imaginable. Read on for the complete list of bands in today’s initial artist announcement…

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The B List: Reunion Mania

2007 has started off with a bang for fans of bands that have broken up. Reunion Mania has taken over the rock world, with everyone from America to Zero getting in on the act. I’m not satisfied: I want more reunions. So this week’s B List features eight more bands that need to get in on the great money grab of 2007:

1. God Street Wine: Fuck Phish, if any more jambands are planning to reunite, I’d like to see God Street Wine get back together. As I mentioned in last week’s Grousing The Aisles, both Ace and I are huge fans of this dynamic band that added a little soul to the improv scene.

2. Blind Faith: Eric Clapton has run out of bands to reunite. Cream had a successful run of shows in 2005, and Clapton is currently on the road with Derek Trucks playing a bunch of Derek and the Dominos songs. Steve Winwood is in a similar predicament with the passing of Jim Capaldi. Blind Faith’s bass player Ric Grech has passed on, but Ginger Baker can still play (for the moment). I’d love to see these three men reform Blind Faith before they wind up in nursing homes.

3. Talking Heads: If The Police can put aside their animosity towards each other for a reunion, why can’t the Talking Heads? I think all the hipsters would faint at the sight of Tina Weymouth on stage again with David Byrne. Imagine the setlist the reunited Heads could put together? I’d love to see the band put aside their differences and score one of the biggest paydays in the history of rock and roll.

Read on for the other five bands that need to reunite this year….

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Trey at the Y: An Audience of His Peers

The most talked about event in New York City last night involved Andy Samberg joining Justin Timberlake on the Madison Square Garden stage for a live rendition of the duo’s

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Feist Reveals New Album Details

Feist has announced the details of her forthcoming album.  The Canadian songstress and frequent Broken Social Scene contributor will release ‘The Reminder’ on April 23 in the UK, and on

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Keane: Paramount Theater, Seattle, WA 1/30/07

Playing against a simple yet intriguingly-utilized backdrop (including five flat-screen televisions showing various different angles on the trio throughout the show), Keane delivered a set with the polish of so many British pop/rock groups. Chaplin’s voice had the crystal clarity of their recordings, rising at times with the grace and power of Freddy Mercury, yet harkening often to the earnest soulfulness of Coldplay’s Chris Martin.

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MarchFourth Marching Band

rom the looks of it, the marching band in Prince’s halftime Super Bowl show couldn’t touch the fun factor of Portland’s favorite band with a 10 foot pole. Named after the date of their first gig, the MarchFourth Marching Band is a high-energy mobile unit of good times. Taking a Fellini-esque mix of Mardi Gras mayhem, Afro beat, Mexican hustle, sultry samba, big band, and gypsy folk to the streets and the club/ festival scene.

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