Okay, so it’s not a purported sex tape, but some tantalizing video involving one of the White Stripes has indeed emerged. The far less attractive member of the duo appeared
New Yorkers tomorrow night will be treated to the debut performance of Anti-Jazz Raygun, a trio that describes itself as “ImprAvant Death Rock.” With his Duo partner Marco Benevento spending
The weather’s yet to turn cold and it’s not December, but this week’s Stormy Monday is a glimpse at some of the more interesting new releases from 2007. This week’s
Well, if there really is a sex tape out there of the overly anxious Meg White in action, it also sheds new light on “Jimmy the Exploder” and “Ball and
Jennifer Hartswick will be releasing her second album, True, on October 2nd. Hartswick and her new band will celebrate the release of True with two special shows: September 30th at the Higher Ground in Vermont and October 20th at the legendary Blue Note in New York City. Look for our interview with Jennifer about the making of True on Hidden Track some time next week.
And as always on Mondays, read on after the jump for a full slate of weekend setlists including Arcade Fire, Bob Dylan, Genesis and Phil & Friends’ tour opener…
Singer/songwriter MIKE DOUGHTY will get close to fans and preview new material with THE QUESTION JAR SHOW, a November duo tour of small East Coast clubs. In addition to taking
Ratdog will be back on the road this fall for a tour along the East Coast. Bob Weir & co. will start Oct. 26-27 with a two-night stand in Hampton Beach, NH,
Sam Beam–better known by Iron & Wine will launch a headlining tour this weekend ahead of "The Shepherd’s Dog," his latest studio album. The South Carolina-born, Austin, TX-based artist, will
The energy on Friday night was unbeatable, and the show was example of how Interpol is a band that is confident, and ready to call the shots – anytime, anyplace.
Piper at the Gates of Dawn is almost universally accepted as a great album. Certainly, "Astronomy Domine" is amazing in its own right. The three group compositions in the middle of the album are good, though somewhat underdeveloped, indicators of where Pink Floyd would be headed after Syd Barrett's departure.
