n His Own Worlds, the latest album from singer/songwriter Nathan Moore, is a journey inward, a poetic trip to the center of what makes one human. The naked honesty in Moore’s lyrics and voice give the songs an evocative fluency that resonates with anyone who has, even in passing, questioned their true self and what it all means.
Piper at the Gates of Dawn is almost universally accepted as a great album. Certainly, "Astronomy Domine" is amazing in its own right. The three group compositions in the middle of the album are good, though somewhat underdeveloped, indicators of where Pink Floyd would be headed after Syd Barrett's departure.
Sam Beam–better known by Iron & Wine will launch a headlining tour this weekend ahead of "The Shepherd’s Dog," his latest studio album. The South Carolina-born, Austin, TX-based artist, will
Ratdog will be back on the road this fall for a tour along the East Coast. Bob Weir & co. will start Oct. 26-27 with a two-night stand in Hampton Beach, NH,
Today we draw the curtains on a week in which I couldn’t quite shake off the ACL hangover or get this catchy-as-shit Arctic Monkeys tune out of my head… [youtube]2kbNko-4-4w[/youtube]
Photo via ChristianJamesPhoto Friday [all times Eastern]: Velvet Revolver are Letterman’s musical guest on The Late Show [CBS 11:35 PM] The Tonight Show with Jay Leno features a performance by
My Sunday @ ACL partner in crime has returned to the comforts of the north, rested and ready, and he’s posted his own coverage of the Texas festival. But Neddy’s
The Beastie Boys announced plans for a vocal version of the previously instrumental album, The Mix-up, according to Billboard. Adam Yauch (aka MCA) says the B-Boys have their eye on
Modest Mouse has announced a fall slate of dates in support of "We Were Dead Before the Ship Even Sank." Beiginning with a Halloween show in Spokane, WA, the band
riginally released in 1999, M. Ward’s debut, Duet for Guitars #2—which was reissued in July by Merge Records—is certainly a low-key affair. Almost entirely acoustic, with a couple of fuzzy electric tracks and the occasional hint of mandolin and dulcimer, the album drifts from track to track in a near weightless manner.
