2007

Monday’s Hors D’Oeuvres & Weekend Setlists

We’ve got another answer to the Where’s Cactus query? Former Phish bassist Mike Gordon returned to the stage on Saturday night to sit in with Gov’t Mule at Burlington’s Memorial Auditorium. The artist formerly known as Cactus played a crazy looking bass during covers of the Grateful Dead’s Loser and JJ Cale’s After Midnight with Warren and the boys. You can buy the official audio recording of the show shortly over at Mule Tracks.


Ace provided us with plenty of coverage from the Austin City Limits festival this weekend, but a few other stories came our way…behold:

And as always on Mondays, read on after the jump for a full slate of setlists from the weekend in music…and hit us up with any cool links we didn’t see.

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ACL: And Now…Now We Get Some Sleep

Haven’t been following? Get caught up if you haven’t been following: full Day One recap, full Day Two recap, and the Great ACL Fire of 2007

So long, Texas — I shall miss this Glorious Smörgåsbord you natives call the Austin City Limits music festival. Seventeen more bands offered us free samples on the final day of the event, bringing the total tasting menu up to an uneven 49 acts over the 27 hours we spent cruising the spectacular (and quickly browning from the over-aggressive sun) Zilker Park grounds.

MMJ

My Morning Jacket’s Jim James grew out his hair again


Day One brought the unexpected fire, Day Two brought the unrelenting warmth, and Day Three just brought the heat. Tell me how it’s possible to top a two-hour stretch of My Morning Jacket > Wilco > Ghostland Observatory > The Decemberists. Vanessa Williams didn’t play today, but ACL certainly saved the best for last. First, I will chop off my balls for crafting such a silly sentence. Next, I shall regale you all with a comprehensive report from the festival and publish another full photo gallery from our main man, Danfun.

We just can’t praise enough the effort the organizers of this festival put forth — about the only complaints I’ve unofficially registered surround the choice of placing Wilco and My Morning Jacket in conflicting time slots on Day Three and the fact that Bob Dylan may have sent his evil twin in his stead to sing with gravel and razorblades in his throat. Yikes, Uncle Robert.

But other than that, the execution was flawless. This was a festival virtually devoid of any inter-artist collaboration and breakout covers, and yet the performances were worth every penny. The bang for the festival buck here is simply astonishing, so read on after the jump for the latest installment of Ace Is Goddamned Exhausted And Hasn’t Slept In Three Days…

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ACL: Four Bands Save Day Two from Meh-ness

Wait, you missed our full coverage of Day One? Click here to get the skinny…

I’d love to look back and say all 16 acts we caught on the second day of Austin City Limits brought the heat, but instead it was the equatorial Texas sun that did the job. It was the kind of day that can convince even the laziest lardass to shed a few pounds. At one point the front of my lower legs from knees to ankles were drenched in sweat, which is something I never knew was possible. At least this festival is teaching me the basics of human perspiration.

ArcadeFire


Day Two of ACL lacked the sense of intensity and must-see urgency that the Friday session delivered, but that first day was admittedly tough to top. Still, only four of the 16 sets managed to truly floor me, with the rest of the day’s performances ranging from generously mediocre to only fairly impressive. Those four, though — Dr. Dog, Paolo Nutini, Andrew Bird and Arcade Fire — validated the entire afternoon and evening, even if we’re still a little pissed at the White Stripes for pulling out of the Saturday headlining spot against Quebec’s finest.

ACLCrowd


That introduction to the second day’s festivities shouldn’t imply a complete lack of good times at Zilker Park. But sandwiched between the instant reminiscence of Friday’s spectacular beginning and the eager anticipation of Sunday’s jam-packed lineup, the middle-day quasi-letdown was only natural. In any event, read on after the jump for a full recap of the day’s events, including our second straight photo gallery supplied by our photographic genius, Danfun.

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Earlimart: Mentor Tormentor

if Elliott Smith was the front-man for your band, they’d surely sound like Earlimart’s bag of introspective indie pop bliss. On their follow-up to 2004’s critically acclaimed Treble & Tremble, L.A.’s Earlimart revamp their ELO meets west coast indie on Mentor Tormentor.

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