January 2008

Better Than Noodling: Blitzen Trapper

Face it, hipsters: Nothing beats the peak of a red-hot jam. But many of the jambands left on the scene just don’t do it for Some Dude of Hits from the Blog, so he’s here to coach us on which bands we should turn to for greatness…

Let’s face it, folks, the jamband scene is dead and decomposing. The Fat Man isn’t walking through that door; pre-hiatus Big Red isn’t walking through that door. The bands left in the wake of the once-thriving scene of the late ’90s/early aughts have either hit their ceiling, called it quits or are currently cashing in as glorified cover bands. So as we all wait for the next big thing to violently shake up the scene and make it relevant again, it’s time to broaden our horizons.

While some have resorted to labeling bands “post jam” — sorry, I almost threw up in my mouth after typing that — to sugarcoat it, I’m here to tell you there is no such thing (apologies, Mr. Greenhaus). For something to be post-anything it has have been influenced by its predecessor, and I doubt the members of bands like Wilco and My Morning Jacket were slinging veggie burritos and selling homemade blown glass out of a 1987 Chevy Shitbox in the Phish tour lot.

There are, however, exciting bands out there that should appeal to those of us rooted in classic rock and improvised jamming, groups that have opted to jump head-first into the indie-rock pool like the two mentioned above. So without any further posturing, I’d like to introduce you to the musical stylings of Portland’s own Blitzen Trapper. Read on for less lecturing and more music…

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Jose Gonzalez Schedules Green Tour

Jose Gonzales has announced an upcoming tour of North America, and revealed plans to make it an environmentally-friendly excursion. Gonzales will tour in partnership with Reverb, “a non-profit organization designed

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Crowes: One Night Only, Seven Times Over

With apologies to Chris Harford, it’s Chris Robinson that fronts the real Band of Changes. And today the oft-evolving Black Crowes — with Luther Dickinson affixed in the latest incarnation of the lineup surrounding the Brothers Robinson — announced they’ll be playing smaller venues for a run of one-time engagements.

Was the end of that last sentence oxymoronic enough for ya? Regardless of semantics, the Black Crowes sent out a note that they’ll be playing the new album, Warpaint, in its entirety on stage during a special run of “One Night Only” shows. The Crowes will play the material from its first new album in seven years (due out March 4th) at smaller theaters before moving on to “songs from their catalog and selected surprises.” That whole deal sounds pretty sweet to us.

“One Night Only” tour dates:

Mar. 02 – Sayreville, NJ – Starland Ballroom
Mar. 04 – New York, NY – The Fillmore @ Irving Plaza
Mar. 05 – Boston, MA – Somerville Theatre
Mar. 07 – Chicago, IL – Park West
Mar. 09 – Atlanta, GA – The Tabernacle
Mar. 15 – Austin, TX – SXSW @ Stubb’s BBQ (not part of the “One Night Only” shows)
Mar. 19 – San Francisco, CA – The Fillmore
Mar. 20 – Los Angeles, CA – The Avalon

Check out the full press release after the jump…but we summed it up fine.

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Briefly: More New Shit from Sam Champion

We’re anxiously awaiting the late-Spring album release from the band whose namesake may or may not have bedded Mike Piazza. One month ago we linked to Sam Champion’s first downloadable

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Umphrey’s Celebrates 10 Years of Face-Melting

New Year’s Eve is always a unique gig for both a band and its rabid fan base, but Umphrey’s McGee’s December 31 concert at Chicago’s Aragon Ballroom took on special meaning — the occasion also marked a celebration of UM’s 10th anniversary as a band. Burdened with the lofty expectations of dual celebrations, the scene was set for a letdown, or even a disaster. But, instead, Umphrey’s delivered a fine performance and experience that satisfied even the most jaded of fans.

Photos by Matt Ziegler


Umphrey’s inaugural Black and White Ball capped off a three-night run at an Aragon Ballroom, a fine room that’s quickly becoming the band’s home venue. Each show featured non-stop music from the band, supporting acts and a dynamic lineup of DJs spinning vinyl. To augment the music, Umphrey’s spared no expense setting up a massive[ly awesome] light rig, including a meshed screen that the band used to display all sorts of mind-blowing images.

One of the cool things about Umphrey’s NYE show is that they eschewed an opening act in favor of their showing a 30-minute video profiling their first 10 years as a band. The documentary was extremely well-created, giving the fans behind-the-scenes footage, as well as clips from many of the most important concerts in the band’s history. My favorite part of the film was when they showed guitarist Jake Cinninger shredding a guitar solo worthy of Eddie Van Halen at age 14. That only helps to prove my theory that the guy is an alien put on this earth to rip face-melters. Read on for much more from Umphrey’s NYE show…

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