July 29, 2009

Review: Wellington Int’l Ukulele Orchestra

Exactly one month ago, on June 29th, I attended a concert in Wellington, New Zealand. The Wellington International Ukulele Orchestra performed to a sold-out hometown crowd in one of the country’s most acoustically-pleasing auditoriums, The Michael Fowler Centre, and they blew the roof off the place. Yes, this 12 member, 11-ukulele-ensemble actually blew the roof off the mutha. Eleven ukuleles and one double bass. Yes, that’s right- 11ukuleles. I feel icky just typing that. The ukulele. The red-headed stepchild of the acoustic guitar. Eleven of them on stage at the same time and I actually liked it? Maybe I’ve been in New Zealand too long…

ukuleles-183

[All Photos by Matt Mueller]

I think its fair to say the ukulele has never been one of my favorite instruments. If I were asked two months ago to come up with a top ten list of my favorite musical instruments, ukulele might rank 37, just behind the French horn. But in the hands of these skilled ukeists (ukeleists? Ukelers?) this four-stringed-mandolin-wannabe not only becomes a pleasing instrument, but an impressive one. (You can see why its taken me a month to write this review- I’ve been struggling with such conflicting internal emotions. Someone hold me.)

The WIUO (as they will henceforth be referred to… since I’m into the whole brevity thing) were founded about 5 years ago in Wellington, New Zealand. The twelve member group play an unusual combination of modern hits, classic rock, kiwi standards and original compositions. In New Zealand, the band is pretty well known, thanks in no small part to a devoted hometown following, many high profile performances, two albums, and the recent success of founding member Bret McKenzie (yes, that Brett. Brit? Briiit.) Internationally, this “international” orchestra has yet to make a very big mark. However, if they continue to play shows like this one, all of that could change. READ ON for more of Neeko’s Uke-tastic review…

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Last Week’s Sauce: July 19th – 25th

Last Week’s Sauce is a recurring column featuring recordings of shows that took place the previous week. Thanks to H20 for the photo.

H20

Artist & Title: The Brew – Seen It All
Date & Venue: 2009-07-25 Rock & Blues Cruise, Boston MA
Taper & Show Download: Mike Salvo

Leading off this week is the first track off The Brew’s 2008 release Back to the Woods. The Brew next play this Saturday at the Wellfleet Beachcomber in Cape Cod.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/07/brewsauce.mp3]

READ ON for more tracks from the likes of Steve Kimock and Wilco…

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The Beatles A-Z Returns on Sundays

Each Sunday in August, starting this Sunday, a group of talented musicians led by virtuosic guitarist Tim Palmieri will perform the entire Beatles catalog in alphabetical order at Daniel Street

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Birds of Avalon : Uncanny Valley

Having supported The Flaming Lips and Raconteurs in recent years, psychedelic rock band Birds Of Avalon indeed have an uncanny ability to make retro sound relevant again on Uncanny Valley, especially on the short but punchy “Side Two” but up the ante on the heady “I Never Knew” and the vibrant “Eyesore” thanks to the guitar work of husband Paul Siler and wife Cheetie Kumar.

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Iron Maiden: Flight 666

This DVD features a great band making a great documentary about a great tour. Of course, it documents many of the amazing feats of the Somewhere Back in Time tour which found Maiden playing 23 shows in 45 days on five continents (sadly, they didn't get to Antarctica).

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Kid Koala Presents The Slew Tour

Former member of eclectic hip hop group Deltron 3030, Eric Sans, best known under his stage name Kid Koala, has garnered quite a bit of attention within the DJ scene

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The Road To Woodstock: Michael Lang

The book truly is the story of the path leading to the event as we’re 170 pages into the story before we reach the morning of August 15, 1969. It’s all good reading, though. It doesn’t matter if you’re one of the several million who claim to have rolled in the mud at Woodstock (actual crowd estimates still bounce between 450,000 and 500,000), you’d still have no way of knowing all the amazing events that led up to the most famous 3 days of music the world has ever known. (Digging a series of new wells on Max Yasgur’s farm and laying out 14 miles of water pipe was just one little detail.)

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Volume 29: The Low Anthem

A sign broadcasting this word hung on the studio wall while Ben Knox Miller, Jeff Prystowsky, and Jocie Adams, the three members of The Low Anthem, recorded Oh My God, Charlie Darwin. A Hebrew expression taken from John Steinbeck’s East of Eden, the word literally means “thou mayest.” The translation implies that there is some choice involved in whatever matter is at hand: thou may or thou may not. The Low Anthem’s speedy evolution from a local Providence, Rhode Island band with a grassroots attitude to international critical darlings hints that a lot of people have collectively decided The Low Anthem may.

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