Hidden Flick: Johnny and the Pirates
Going too far carries a gravitas that came to fruition in the excesses of 20th century rock. Hell, some of our favorite musicians have long straddled the line between life and death. Some, to such a degree (far too many great icons from Hendrix to Cobain), have died when that line was finally crossed. But this Rimbaud type tendency to burn across the poetic sky as some sort of mythical druggy superman before crashing down to earth as a lowly mortal dates back to the Dawn of Man (or the Dawn of Tripped-Out Man as I recently wrote, in reference to a heady band of new psychedelic warriors).
Johnny Depp has played many characters that willfully blur the line between life and death on a daily basis—characters as twisted and deformed as Raoul Duke aka Hunter S. Thompson, or the actor’s recent musical romp through the evil world of Sweeney Todd. But his characterization of John Wilmot, the 2nd Earl of Rochester, a 17th century poet, sex fiend and scoundrel, gave film buffs a real taste of pure pirate-like behavior that far overshadowed his work as the loveable rogue in the Disney Caribbean trilogy. Yes, but I prefer the Bad Guy on film (Vader over Kenobi) as the bent mind seems more human.
Indeed, Depp behaves like a man on his last waltz through Dante’s Inferno. Every Day. Every Footstep. Every Drink from the Bottle. Every Leer and Sneer. He has contempt for ordinary society, and in his cavalier way, Depp’s character towers above the film that documents his sordid life in this week’s Hidden Flick, The Libertine.
READ ON for more on this week’s Hidden Flick – The Libertine…