Gov’t Mule have outlined a second leg of dates behind their most recent studio album, "By a Thread," which surfaced earlier this year. Following its traditional New Year’s appearance at
After laying low for most of this year, James Murphy, the brainchild behind LCD Soundsystem, is revving up for a busy 2010. In addition to the impending release of the
Garage a Trois is a band which at first could be thought of as an all-star band of heavy hitters, but that would be a severe understatement. The band, which started as a trio consisting of saxophonist Skerik, guitar virtuoso Charlie Hunter, and drummer Stanton Moore, later adding vibraphonist Mike Dillon, has grown into a tightly structured, well oiled funk beast. Hunter is no longer part of the group, in that slot is one of the most in demand keyboard players around, Marco Benevento, who permanently joined the group in 2007.
It Might Get Loud is as revealing as a guitar documentary gets, even with the warts and all finale of the three playing a rough version of The Band’s “The Weight.” But that’s what makes the film worthy, it shows three rock stars at their most vulnerable and human – proving once again, the guitar rules over everything else.
After nine shows at the soon to be demolished Spectrum, Phish stepped up to the newer Wachovia Center tonight for the first of two shows. The band started off strong with a batch of classics and never took their collective feet off the gas. Even Stealing Time From The Faulty Plan, one of the few new songs the band played, absolutely smoked. It was one “big gun” Phish song after another for most of the show peaking with a Harry Hood > The Mango Song > Mike’s Song > Simple > Slave to the Traffic Light > Weekapaug Groove segment that just wouldn’t quit.
Phish
November 24, 2009
Wachovia Center
Philadelphia, PA
Set 1: Chalk Dust Torture, Bathtub Gin, Cities > Camel Walk, The Curtain With, The Wedge, The Moma Dance, Reba, Golgi Apparatus, Stealing Time From The Faulty Plan
Set 2: Possum > Down With Disease > 20 Years Later > Harry Hood, The Mango Song > Mike’s Song > Simple > Slave to the Traffic Light > Weekapaug Groove
Encore: A Day In The Life
Phish returns to the Wachovia Center on Wednesday night.
READ ON for a look at past Phish Philadelphia gigs…
Words and Images: Tim Hara
Last weekend, Phish made their triumphant return to Cincinnati for the first time in six years. They played the U.S. Arena, a 17,000 person venue located downtown right next to the stadiums where the Reds and the Bengals play. Although the place was packed both nights, fans could find cheap tickets – some even free – in the lot with ease. You could feel the excitement in the air as the crowd funneled through the doors and into the venue to begin what would turn out to be an incredible two-night stand in the Midwest.
Phish kicked off the first night with good, but standard versions of Chalk Dust and Moma Dance. The entire building shook as the audience roared during “the pause” in The Divided Sky. After a solid rendition of Alaska, things were slowed down for Fast Enough for You, which was played for only the second time this year. The high point in the set came for Gotta Jibboo > Fluffhead, two crowd-pleasers that closed out the first half. Overall a solid, fun set, but it was obvious that the band was just getting warmed up.
The real magic came in the second set with the Tweezer > Light > Back on the Train > Possum sequence. The quartet jammed patiently and absolutely nailed the transitions in this segment; especially the segue into Possum. After a blissful, standalone Slave to the Traffic Light, the funk dance party started up with a monster You Enjoy Myself that clocked in at over 20 minutes to close what was a perfectly executed set. Phish then treated the crowd to a three-song encore that started with Joy and Golgi Apparatus and concluded with a Tweezer Reprise that ensured the show ended on a high note.
READ ON for more of Tim’s thoughts and photos on Phish…
Between the viral video-friendly bits, Jonathan Cohen’s ingenious musical guest bookings, bringing The Roots on as the house band and Fallon’s relaxed interview style; NBC’s Late Night with Jimmy Fallon
Words: Carla Danca
Images: Jeremy Gordon
As many friends were finalizing their plans for the Phish run this week, I headed over to Terminal 5 in NYC on Friday night to see the lovely Grace Potter & the Nocturnals. While Phish has become the polarizing force in the jamband scene this year, either as re-energizing the crazed fanbase or overwhelming a few bands at the bottom – and everyone’s wallet in between – GPN has moved in a different direction altogether.
While you see GPN at many of the summer festivals (including playing at Bonnaroo with Phish headlining) it would be hard to say that they are still part of the “jam” music scene any longer. Grace Potter has made the successful crossover from the festival/ hippie scene into main stream music and TV (with songs used on One Tree Hill and Grey’s Anatomy) and more importantly she did it without losing any of the talent that originally propelled her.
After an opening acts from Sean Bones and Brett Dennen, the stage went dark for a dramatic entrance by first the Nocturnals and then spotlight appearing, Grace came out last beating on her tambourine in a sexy green sequined dress. Staples like Mastermind and Apologies from This is Somewhere started the night off setting the tune for a high energy set by GPN. READ ON for more from Jeremy and Carla…
And that sound you hear isn’t a bowl of mashed potatoes splattered against the wall, or a brandy bottle breaking in the back alley, or even a dessert cart wheeled off the balcony. No, that’s the sound of the Great Beast Itself. Yep—the traditional Thanksgiving Turkey.
Don’t get your forks, spoons, and knives out, or your sporks, for that matter. This bird ain’t exactly edible. Hell, I’m not even sure if your loved ones should even see it, which explains why I had to clear the room when it was on full display. Yes, this week’s Hidden Flick is a real turkey of the cinematic breed, and I apologize in advance for its placement in the hallowed halls of our little film collection, but sometimes a clunker makes everything else that much better. Either that, or Cabin Boy
Um, no. Turkey is as Turkey does, and this film contains nary a redeemable scene. However, that sort of critical thinking hasn’t stopped us before, right? As long as one can see the true spirit of filmmaking at work, scenes can sort of jump out in their own way, and produce a lasting memory. Well, let’s not get carried away. We are talking about Cabin Boy, and it does feature Letterman alumni Chris Elliott in his lone “star vehicle.”
READ ON for more on this week’s Hidden Flick…
Back on October 30, Widespread Panic covered three songs by The Band in a row for their encore at the Austin Music Hall in Austin, TX. The band has posted
