2009

Editorial: UM Gives Fans Their Walletsworth

Instant gratification. That’s the name of the game these days with music fans. With a few clicks of the mouse and a quick trip to Google one can go and find almost any album by any artist. And while today’s mainstream artists are hardly starving, it’s safe to say not many are making money off of albums and that’s the trend we’ve been seeing since Napster started.

I mean hell, look at Britney Spears’ most recent release Circus. She had to host an infomercial on MTV just to sell her CD (aptly titled For the Record). She played the “feel sorry for me” card quite well and guess what? It actually worked — she’s selling albums. So are infomercials the way to go? Artists as huge as Britney have to stoop to this level of salesmanship. Artists are struggling to find new and inventive ways to market their music. The industry is in knots trying to figure out how to market and distribute albums, but also do so at a minimal cost.

READ ON to find out just what sets UM’s Mantis apart from the pack…

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Televised Tune: On The Tube This Week

Former Wetlands owner Peter Shapiro and his brother Jon produced All Access – a film that shows two musicians from different backgrounds performing together. All Access features concert pairings of

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Abe Vigoda Revives Skeleton With New EP

After landing themselves on many of their peers’ and critics’ 2008 "best of" lists with Skeleton, Abe Vigoda returns to the wild with an incredible gem named Reviver.  The followup to

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Gov’t Mule: Hammerstein Ballroom, New York, NY 12/30/08

After two "acoustic" shows which you already read about on Hidden Track, Gov't Mule played the first of their annual year-end shows at New York City’s Hammerstein Ballroom on December 30th.  Of course, this was a new venue for Gov’t Mule with the Beacon Theatre being recently renovated, however Warren Haynes immediately made the room his own by opening with “Blind Man In The Dark.”

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Jason Collett – Two Different Worlds

Jason Collett’s latest record, the 2008 release Here’s To Being Here (Arts & Crafts) is a marvelous thing; it’s personal enough to put on when drinking with friends becomes an option. It begs for authenticity through conversation. He pens lyrics like “The perennial fatigue of the times/when you’re long in the tooth/short in the sleeve/there’s nowhere left to hide” which let you into a world you only feel like sharing with your best friend. All this coming from a guy with three children. And when he’s not getting personal, he’s still littering his albums with references to joints and cigarettes.

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