November 2, 2010

Picture Show: String Cheese Incident’s Hulaween @ the Hampton Coliseum

The String Cheese Incident celebrated Halloween by throwing a two-day Hulaween event at Hampton Coliseum this past Friday and Saturday nights. Photographer Derek Martinez was on hand to capture all of the action – including a few snaps of the Disco Biscuits’ opening set from Friday – and has filed some amazing images…


Friday’s Setlists:

tDB

Set: Hope, Astronaut > Spacebirdmatingcall1 > Astronaut, Little Shimmy In A Conga Line1 > Basis For A Day
1 – unfinished

[via PT Bisco]


SCI

Set 1: Best Feeling > Texas > Daryl, Walls of Time, Yo Se, Got What He Wanted > Black Clouds, Miss Brown’s Teahouse > L’il Liza Jane > Miss Brown’s Teahouse

Set 2: Song In My Head, Just One Story, Joyful Sound > EOTO > > Rollin’ In My Sweet Baby’s Arms, Way That It Goes, Sirens, It Is What It Is > On the Road….
Encore: Jellyfish > Jump [via Friends of Cheese]

READ ON for more of Derek’s photos from Hulaween…

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Review: Dr. Dog @ The Vic

Dr. Dog @ Vic Theater, October 21, 2010

Philadelphia’s finest, Dr. Dog, treated Chicago fans to a colorful array of psychedelic pop at the Vic Theater back on October 21st. The six-piece band performed two hours of continuous high-energy rock filled with original compositions spanning their extensive catalogue. A bulk of the repertoire was selections off of 2008’s Fate and 2010’s Shame, Shame. The band also introduced two new songs to the mix, both of which embraced Dr. Dog’s signature 1960’s rock-revival sound.


In all honesty Dr. Dog are a must-see live band. They bring a similar raw emotion and friendly energy embedded in their recordings to the stage amplified times ten. Remaining true to their recorded sound, lead lyricists Toby Leaman (bass) and Scott McMicken (lead guitar) rotated vocals on each piece, putting forth a variety of perceptive themes.

Leaman’s soulful, existential approach crossed with McMicken’s introspective observations laid upon a bed of bright arrangements and playful hooks. Leaman, McMicken, Frank McElroy (rhythm guitar, harmonies), Zach Miller (keyboards), Eric Slick (drums) and an unknown friend on percussion polished off the sound with electrifying lo-fi bends and feel good vocal harmonies.

READ ON for more thoughts and photos from Allison…

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Gregg’s Got The Low Country Blues

Over the last few years Gregg Allman has battled a string of health problems, which have forced the legendary B3 player off the road for stretches at a time. With

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30 Days of Dead: Free Downloads

The Grateful Dead organization are celebrating November by offering a new free download each day of the month straight out of the vault. Head over to Dead.net for a high-quality

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Review: Phish – Atlantic City Night Two

Phish @ Boardwalk Hall – October 30, 2010

Since the begining of the Halloween Musical Costume tradition, Phish has historically taken the night of October 30th off, playing only two pre-Halloween shows (1998 and 2009). So coming into Saturday in Atlantic City on the coat tails of an epic week and red hot Friday night, all signs seemed to point towards two sets of energy conservation; the quiet before the storm.

[Photo by Regan Teti Marscher from 10/29]


Enter Boardwalk Hall. The pre-show energy from Saturday night’s crowd was formidable and the impromptu cheers seemed to be on the level of a New Year’s Eve show at MSG. As a new venue, Boardwalk Hall is an instant favorite. The inside of the venue looks like a cousin of Hampton Coliseum, with the ceiling of Radio City Music Hall and the vibe of a 1920’s dance hall. As the house lights dimmed, the roar of the crowd shook the scaffolds and the merry pranksters took the stage with big smiles and a few waves.

The opening notes Kill Devil Falls sucked all the energy up and spit it right back, sending the crowd into a dancing frenzy. Rather then rifling through the first set, the band took their time and a number of giddy Trey/Mike exchanges took place between each song. It was clear the band was going with the flow and playing whatever felt right. Towards the end of Guelah Papyrus, the crowd exploded into an impromptu, music-less, Kuroda-less, glow-stick-war to the delight of the band – who seemed to stand back and take it all in. READ ON for more on Saturday night’s show…

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The Walkmen, Chromeo, Salem

The Walkmen, Lisbon (Fat Possum Records)The 6th album from this stubbornly acoustic 5-piece is – how could it be any different – infinitely indebted to singer Hamilton Leithauser’s Thom Yorke-style

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The Jigsaw Seen: Bananas Foster

A decade has passed since the Jigsaw Seen’s last full-length album of original material, the Grammy-nominated Zenith. Since then, the band has released a number of singles, EPs, and a covers album, but Bananas Foster is the first proper follow-up. Anytime a band takes that long to release an album, it had better be ambitious and it had better be good. In this case, it is both.

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