As we saw our first snow flakes here in New York City yesterday, there is nothing that gets us through the winter faster and thinking about the warm months ahead,
On Saturday afternoon, we told you about the first night of Hot Tuna’s two-show celebration of Jorma Kaukonen’s 70th birthday in which the band was joined by a cavalcade of guests including Bruce Hornsby, Warren Haynes and John Hammond at NYC’s Beacon Theatre. The second night featured a new set of special guests, namely Bob Weir, Oteil Burbridge and Steve Earle.
[All Photos by Vernon Webb]
For Saturday’s show, Hot Tuna also invited a few former members of the band to the stage to fete Jorma – guitarist Michael Falzarano and keyboardist Pete Sears. The two-set performance started with the group playing four songs unaccompanied before the guest spots started and continued through the end of the show. Weir sat in on Big Railroad Blues, Bowlegged Woman, Walking Blues and When I Paint My Masterpiece as well as Come Back Baby and the Baby What You Want Me To Do? encore.
READ ON for the complete setlist from Saturday night’s performance plus more of Vernon’s stunning photos from the evening…
We got a big kick out of the following video for the same reason we loved mixing six different sodas together in our Big Gulp cup at 7-11 when we
New York City venue Sullivan Hall will celebrate its third anniversary on January 1st with a show by a supergroup worthy of the word “super.” Guitarist Steve Kimock will be
[Originally Published: August 17, 2010]
For Mr. Marshall, who, when he heard I was penning this column a couple of years back, suggested this rather cleverly-written film as a possible Hidden Flick. Well, Big T, here it is at long last. Better late than tomorrow, eh? As always, the wordsmith was right.
And so the Merry Prankster hands me some dessert, which I appreciate since I’ve been eating salty food, and taking drinks from a monstrous soda, and jaysusHcrist!! When did Phish start playing a 45-minute Light?! This is bad ass porno funk, just like ‘97. Kneeling nearby, resting, at peace, content with the flow of the planets, and oblivious to nothing, her deep gaze resting upon me, forcing its own mysterious link, is a shy woman reading Krasznahorkai’s The Melancholy of Resistance. She smiles, I smile, and as I walk out through the in door, a tall and amiable lyricist follows, matching me stride for stride. We head to my European car—ever onwards, of course—to a destination he has plotted, as we shoot out towards Belgium, in our next edition of Hidden Flick, In Bruges.
Although In Bruges did minor business in the States, it garnered numerous international awards, and better box office overseas. Nee bother, of course. Who cares? We, of course, at the Hidden Flick factory are more interested in the hidden truths buried ‘neath the surface of these little celluloid gems, and buried below this little ‘two hitmen hide out in Burges, Belgium caper’ surface is a dark truth about humanity. What if one chooses the path of the cold-blooded, gun-for-hire, mercenary in a bloodless society, and someone who isn’t on The List, the Unholy Writ which Determines who is Slain and who Isn’t, gets nailed, tagged in the head with a stray bullet, and dies. Well, what if that innocent bystander is a child, a young boy, a young wandering soul with all his life, hopes, ambitions, dreams, and world-yet-to-be-conquered-aspirations still ahead of him?
Indeed, therein lies the entire surface details about the film co-starring Colin Farrell as the hapless upstart Irish hitman who runs way fucking afoul in his first job, killing a priest and a young boy, and also co-starring Brendan Gleeson, his senior hitman, and one who quickly takes him away to Bruges, Belgium, due to the specific instructions of their evil boss, Ralph Fiennes. The script is taut, pristine, profane, politically incorrect, and joyfully hilarious in every way. It is also sad, profound, dead right in wrong ways, and oddly reminiscent of what makes humans so divine and soulless all at the same time.
READ ON for more on this week’s Hidden Flick, In Bruges…
Partisan Records is excited to announce that Taylor Goldsmith of Dawes, John McCauley of Deer Tick, and Matthew Vasquez of Delta Spirit have joined forces to make a very special
Drive-By Truckers will release Go-Go Boots, on February 15, 2011 on ATO Records. In conjunction with Go-Go Boots, they’ll also be releasing their documentary The Secret to a Happy Ending on DVD. To preview the record the band is offering a free MP3 of “Used To Be A Cop”.
Peter Bjorn And John are set to release a new full-length studio album due out on March 29th on StarTime International. For their sixth album the band chose to work
“Now that’s rock & roll right there,” I overheard a young man tell his friend as they exited the concert. No, this is not 1977, but the band that once held the world in the palm of it’s hand throughout most of the seventies and early eighties has just played to another sold out venue.
Blessed, the stunning new album from three-time Grammy Award-winner Lucinda Williams is set for release on March 1st by Lost Highway. Considered by many to be one of America’s greatest
