2011

Cover Wars March Madness: The Elite 8

As the NCAA Basketball Tournament reduces down to eight teams today, we are a couple hours ahead of the game with our Elite 8 Bracket. There were some close contests in the Sweet 16, like The Band narrowing out Umphrey’s McGee w/Jennifer Hartswick in a 51% to 49% contest. We have our updated bracket below and four match-ups for you to vote on.

Matchup #1

Ramble On (Led Zeppelin)

Phish debuted this cover at Alpine Valley in the Summer of 1998. As most Phish fans know, there has been one other performance ever and it was the following week at Vernon Downs where the band paired Ramble On with their own Slave To The Traffic Light to close the first set. There are some killer Ramble On Teases in the Slave jam. Source: 8-1-1998

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/phramble.mp3]

UPDATE: The text in all the descriptions for Cover Wars March Madness are taken from the original editions which at times – are out of date. As one of our readers pointed out in the previous round – Phish has since performed one more partial performance of Ramble On, and yes – it was pretty terrible.

VS.

Jeff Buckley – Hallelujah (Leonard Cohen)

Jeff Buckley: Buckley’s hauntingly dramatic version from his 1994 debut Grace is the best known cover of Hallelujah. It’s one of the best known covers of any song ever. Many people who love the Buckley version have no idea Cohen was the originator – I know I’ve met more than a few.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/05/hallelujahbuckley.mp3]

Video from Chicago in 1995:

READ ON to vote on the remaining three matchups in the Elite 8…

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Friday Mix Tape: Name-Checking Songs

We all know plenty of songs that reference another song by name, for example the famous line in Sweet Home Alabama, “I hope Neil Young will remember, a Southern Man

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F4tF: Montreal, Part 4 – Au Pied de Cochon

If you haven’t been keeping up with my latest series of posts from another recent epic food trip, this posting is the fourth and final posting from my trip to Montreal from Friday 2/25 to Sunday 2/27.  So far I have written up my lunch on Saturday 2/26 in the posting Friday For the Foodies: Montreal, Part 1 – Schwartz’s Montreal Hebrew Delicatessen, my lunch on Sunday 2/27 in the posting  Friday For the Foodies: Montreal, Part 2 – Cabane à Sucre Au Pied de Cochon and my amazing and challenging dinner on Friday 2/25 in the posting Friday For the Foodies: Montreal, Part 3 – Nose to Tail dinner at DNA Restaurant. This last posting is all about my dinner Saturday 2/26 at Au Pied de Cochon.


If you go to Au Pied de Cochon you better be aware of two things. 1) Chef Martin Picard loves meat, especially Foie Gras and 2)  The menu is not for the faint of heart or for those with heart conditions.

The one caveat I have to give with this review is that this was a meal where four of us relaxed and enjoyed the food, service and ambiance.  I did take pictures of the meal, but I did not write down everything we ordered – and we ordered a lot. I reached out to my fellow diners that night and got some items ID’d  but not all of the pictures will have the menu item labeled.  Hey, sometimes on these trips you just want to sit down, relax and enjoy the food, ambiance and people you are with.

READ ON for more on Jon’s trip to Au Pied de Cochon…

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Televised Tune: On The Tube This Weekend

Australian synth-pop act Cut Copy are Jimmy Fallon’s musical guest tonight on NBC’s Late Night. The boys recently put out their critically acclaimed third album, Zonoscope, which reached #3 on

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Triple Fret: Songs In Borrowed Time

Durham, NC resident Mike Babyak includes the above quotation on his Facebook page, and the fine new album from his band Triple Fret certainly lives up to this notion — listeners will indeed hear lots of guitar work, but no tracks are likely to evoke Zappa’s acerbic sentiment.

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Dropkick Murphys: Going Out In Style

The Celtic storytelling and all-for-one union drive is flowing like a pint of the dark throughout Going Out In Style.  The album unfolds like a screenplay and when it wraps up with the groups cover of the classic “Irish Rover” you realize Dropkick Murphy’s have crafted one of their fullest and most fulfilling albums of their career. 

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