Summer Camp Additions: Pretty Lights, Mule & More
Scott Bernstein
January 20, 2012
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The second round of Summer Camp artists has been revealed.
January 20, 2012
Friday Mix Tape: Sunday Funday
Jeffrey Greenblatt
January 20, 2012
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After a lockout threatened to cancel the season, and then 17 weeks of regular season games, and another two of playoff games, we’ve finally reached the penultimate week of the
Todd Sheaffer Guests With Greensky Bluegrass
Scott Bernstein
January 20, 2012
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Greensky Bluegrass teamed up with Todd Sheaffer (RRE, FGH) last night in NYC.
In Memoriam: Etta James & Johnny Otis
Scott Bernstein
January 20, 2012
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We’ve lost two great rock and roll pioneers this week.
B List: 10 Amazing Jam Cruise 10 Videos
Scott Bernstein
January 20, 2012
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A look at ten fantastic musical moments from Jam Cruise 10.
Video: Bruce Springsteen – We Take Care Of Our Own
Jeffrey Greenblatt
January 20, 2012
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Sample Bruce Springsteen’s new single, We Take Care of Our Own.
Televised Tune: On The Tube This Weekend
Scott Bernstein
January 20, 2012
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The Fleet Foxes make their ACL debut this weekend on PBS.
Rock and Roll Hall of Fame Plans Grateful Dead Exhibit
January 20, 2012
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The Rock and Roll Hall of Fame and Museum has planned an exhibit on the Grateful Dead, from its recordings, tours and fans to its instruments and album-cover art. “Grateful
Keller Williams Kids Show: The National, Richmond, VA 12/29/11
Nathaniel Elliott
January 20, 2012
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Keller Williams doesn’t sit still for long. The undisputed king of the one-man-show is no one-trick artist. So it came as no surprise when he issued a children’s album, Kids, earlier this year. His current tour includes several matinees for kids which highlight songs from that album.
Sugar + the Hi-Lows: Sugar + the Hi-Lows
Brian Palmer
January 20, 2012
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The debut release from two of Nashville’s better singer-songwriters, Amy Stroup and Trent Dabbs, is meant to be something of an odd bird. From the sometimes coy lyrics to the jangly rhythms and grooves, the album’s eight tracks are straight out of the 50s and 60s, and in a time when it would be easy to write commentaries on the woes of the world 2012-style, they choose instead to give things a more upbeat perspective. It’s something of a departure from their solo material, but it works pretty well when all is said and done.
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