Any business that stays open for over fifty years safely earns the status of being an institution. Any record store that stays in business for this long earns the status
[rating=4.00] I’ve been a fan of The Sword for a decade now, following the musical trail of destruction left in the wake of these Austin metalheads through epic record after
[rating=7.00] First the bad. American Ultra is, quite possibly, about as dumb a movie as you can see. It’s a genre mashup that offers nothing new for either of its
On his new album Creepers & Vines – which hits on August 28th – Nashville-based musician Steve Lewis brings his trademark gravitas and style to twelve fetching new songs, with psychedelic undertones, gritty guitars and
[rating=8.00] The opening track on Jackie Greene’s Back to Birth, “Silver Lining,” has a self-assured positivism that sets the tone for the whole record, not a total surprise as it
Randy Spendlove, the current President of Motion Picture Music for Paramount Pictures, has logged many miles as a touring musician but left the life on the road for one in
[rating=9.00] “eps1.8_m1rr0r1ng.qt” This week’s Mr. Robot left me with one, and only thought: Ok, that’s not totally true. Really, after almost a whole season of trying to figure out what the
Bodies began to bob and weave as soon as soon as Soule Monde began to play at Burlington’s Waterfront Park August 7th, those undulations from the burgeoning crowed of Twiddleheads,
[rating=6.00] Forlorn troubadours never seem to go out of vogue. Whether it’s a teen sensation wailing about losing a lover and crying in the chapel, or a forever downtrodden folkie
[rating=9.00] Prepare to be haunted and hypnotized by Duskland, the new record from Brooklyn-based singer-songwriter Zachary Cale. Its moody tone and eerie nuances are thought-provoking and heavy, and the slow
