Pokey LaFarge brought his old timey sounds to The Sinclair in Cambridge, MA on Thursday night. Photos by Rich Gastwirt.
[rating=7.00] The D Train is a lowbrow, screwball comedy that successfully masquerades itself as highbrow festival fodder. It’s a fine line to walk, to be sure—the slightest misstep would prove
Last week a band of musical brothers rode into New Orleans and slammed their fists through the theory that rock & roll was dead, buried and rotting in it’s grave.
Knoxville’s Cereus Bright plays infectious, high-energy folk music that’s receiving increased attention, especially after recent slots opening for high-profile artists like Sturgill Simpson, Jackie Greene and The Lone Bellow. The
Death by Dixie isn’t just a record; it’s a reckoning. The new album from The Last Tycoon—the Americana project of Atlanta-based songwriter John Gladwin—reflects on what it means to be
[rating=6.00] Two years after their magnetic debut, 180 generated enormous buzz, British rockers Palma Violets have returned with Danger In The Club, their eagerly anticipated, high-stakes sophomore release. With the
There’s just no one like Sufjan Stevens making music right now. Who else combines such fundamentally religious doctrine into indie-emo pop, and has crossed over so successfully with the hipster
Typically, when you think of characterizations of transgender characters in film, you most often come up with a list of tragedies. Films like Boys Don’t Cry and Dallas Buyers Club
Water Liars are a mystery. They’re one of the most incredibly talented, tightest bands around with three records of powerhouse songs that read like intricate Southern literature, yet they still
Will Currie & The Country French’s third LP They Killed Us will be released on June 9, 2015 via the Vancouver label and the band’s longtime home, File Under: Music.
