At a time when hurricanes are rapid-firing across the continent, nuclear war feels closer than ever before, and the news cycle spews a constant stream of vitriol, comic relief is
[rating=9.00] It’s hard to believe that Strange Peace is only the third full-length record from the Canadian trio known as Metz. These noise rockers have been playing together since 2008
[rating=8.00] Weaned on Waylon, Willie, Johnny and Kris, Christian Lopez has been dedicated to making music since the time he was 15. He began outputting his songs five years ago
[rating=8.00] Chris Hillman embraces his roots as fully and completely as his history on his new Tom Petty-produced album Bidin’ My Time. The recording is a virtual tour-de-force from the man who
[rating=8.00] Consistent musical quality and perpetual growth are the calling cards of the Australian electro dance wizard, Dan Whitford, of Cut Copy. Sailing into his fifth full-length album, Haiku From
Hailing from Paris, France, Perturbator is a true anomaly in the current world of metal and its related sub-genres. Where exactly does Perturbator fit in? The one man electronic project
Eggsy returns with more mediocrity.
Thelma has emerged as an early standout at this year’s Fantastic Fest.
It only took Gov’t Mule three songs – “Mr. Man”, “Streamline Woman”, and “Burning Point” – to establish themselves as diverse musical creatures with straightforward rock, hard charging blues, and
In the newest installment of Wannabe, artist Chris Prunckle mixes things up and gets nostalgic with a review of the seminal 1997 ska album Let’s Face It from The Mighty Mighty Bosstones, in his signature six-panel
