[rating=7.00] Released in anticipation of John McLaughlin’s final tour of America, Live at Ronnie Scott’s features a cover photo of the famous London venue with the silver-haired musician pictured in
[rating=7.00] Pictured on the cover of Contraband Love, Larry Campbell and Teresa Williams look like nothing so much as a new American Gothic. And the record follows suit, comprised of
Raised on an island in South Carolina, singer/songwriter Trevor Hall realized at a young age that music was more than just a passion – it was, rather, his life’s art.
[rating=9.00] Mike Gordon’s fifth solo album OGOGO is his clearest individual musical statement as an artist yet. Recorded with his own band OGOGO is cohesive, unique and sonically divergent from
Much like last year’s iteration, the 2017 edition of Raleigh’s Hopscotch Music Festival saw the event take an even tighter grip on the city’s downtown area. Social media overflowed
Michael Franti and Spearhead’s September 9th concert at McMenamins Edgefield in Troutdale, Oregon was perhaps summarized best when my companion mentioned that Michael Franti deserves some sort of humanitarian award.
Since releasing his universally acclaimed 2013 album Southeastern, Jason Isbell can do no wrong, gaining more fans and recognition with each new album. These days Isbell and his band the
[rating=7.00] The echoes of the mid-2000’s indie rock are boomeranging back in the full force and Philadelphia-based quartet, The Districts, aren’t shy about purveying it. On their third full-length album,
Darren Aronofsky is back with another mind bending psychological trip into terror.
In the newest installment of Wannabe, artist Chris Prunckle reviews Lifers, the new album from Nashville singer-songwriter Jon Latham, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop):
