What happened on the 1st Sunday last week of Jazz Fest – wind and rain – happened again on Wednesday, the day before the 2nd weekend was to open. Just
[rating=9.00] You would think that at the ripe old age of 84 — an age that would find most people taking full advantage of retirement and the security of home
[rating=7.00] March to May is a Seattle-based folk/rock duo whose music is a gentle blend of acoustic instruments accompanying two beautiful voices that manage to become gorgeous together. With the
There is a prevailing vibe that blows around the Manzanita, Oaks and Coastal Redwoods on the top of a mountain at a place called Camp Krem in a town called
[rating=8.00] John Moreland blew through like an Oklahoma tornado when his 2015 record High on Tulsa Heat came out, breaking hearts everywhere with his stunningly gloomy prose. The songwriter’s anticipated
[rating=8.00] Chris Stapleton emerged to national prominence exactly two years ago with the release of his solo debut album, Traveller. To many, his success with a back to basics style
[rating=8.00] The musical subgenre of power pop arguably began with a mighty Fadd9 chord at the top of the Beatles’ “A Hard Day’s Night.” Since that letter was nailed to
[rating-7.00] The latest in the ongoing series of The Chris Robinson Brotherhood’s live concert releases, Betty’s Blends Vol. 3: Self-Rising Southern Blends, doesn’t exhibit quite all the discernible logic of
Ryan Weber and Eric Osterman have been through a lot in the relatively short time they have been making music together as Eric & Magill. The duo has traveled to
The high bar set by its predecessor proves too much for Star-Lord and company this time around.
