‘Beautiful Boy’ Is An Insufferably Well-Made Anti-Drug PSA (FILM REVIEW)
Christian Long
November 2, 2018
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Drugs are bad, mmkay?
November 2, 2018
VIDEO PREMIERE: Louisiana-based Southern Roots/Blues Guitarist John Gaar Goes Slinky & Simple With Righteous “Roll Like That”
Glide
November 2, 2018
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John Gaar was born to carry on Southern musical tradition. He’s got the voice: part grit, part steam, and all soul. He’s got the backstory: he’s played funky zydeco in
Richard Lloyd’s Inscrutable Guitar Heroism Returns For ‘The Countdown’ (ALBUM REVIEW)
Doug Collette
November 2, 2018
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[rating=7.00] It’s not innovative by any stretch of the imagination, but Richard Lloyd’s latest album, The Countdown, is impressive enough to compel listeners to return to his past work, both
‘Bohemian Rhapsody’ Is No Night At the Opera (FILM REVIEW)
James Roberts
November 2, 2018
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Outside of Malek, nothing here will rock you.
Bob Dylan The Bootleg Series Vol. 14: More Blood More Tracks (ALBUM REVIEW)
Doug Collette
November 2, 2018
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[rating=9.00] In recent years there’s arisen a clamor for Bob Dylan’s 1975 album Blood On The Tracks to be treated to the exhaustive archiving represented by the ongoing vault project
Arctic Monkeys, Janelle Monae, A Perfect Circle Highlight 2018 Voodoo Music + Arts Experience (FESTIVAL RECAP/PHOTOS)
Nancy Lasher & Lisa Benne
November 2, 2018
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It’s noon. The Star Wars theme blares from the sound system. The gates open. A quick bag check and pat down and the costumed throngs enter New Orleans’ 10/26-10/18/18. City
‘Can You Ever Forgive Me?’ and Melissa McCarthy Soar to Greatness (FILM REVIEW)
James Roberts
November 2, 2018
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Melissa McCarthy shines in a new film about the infamous Lee Israel.
SONG PREMIERE/INTERVIEW: Lizzie Weber and Markéta Irglová Talk Collaboration, Share “River” and “Free Floating”
Glide
November 2, 2018
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Born and raised in St. Louis, MO and now based in the Pacific Northwest, Lizzie Weber began her journey as a songwriter living in Studio City, California, where she moved
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