[rating=9.00] Live at Lafayette’s Music Room is the latest in a recent string of Big Star-related releases dating back to the 2016 release of the Complete Third box set. The
[rating=8.00] Umphrey’s McGee stays true to form on it’s not us, in that there is no form. Any Umphrey’s album or show is a stylistic journey, but this album shifts
[rating=8.00] Continuing his new run at Blue Note Records that began in 2016 with Evolution, Dr. Lonnie Smith’s new live recording All In My Mind documents him in a trio setting
Tommy Emmanuel has achieved enough musical milestones to satisfy several lifetimes. Or at least they would if he was the kind of artist who was ever satisfied. At the age
Named for a great-grandfather they never met, Lanford Black draws on the heart of old soul and funk while updating it with a raw grit that’s all their own. Formed
Austin band the Bright Light Social Hour have managed to gather a loyal following with a style of music that can best be described as loose, soulful rock and roll,
[rating=8.00] Leave it to Omnivore Recordings to keep reminding us about valuable music, both past and present. The latest gifts, with more coming, are the first two volumes of the
Los Angeles Americana roots quintet The Sound of Ghosts have been making waves, offering up a musical experience unlike any other with their unique arrangements and vast variety of influences.
On February 28th, Clearwater, Florida, will be hosting a rocking show at their Capitol Theatre, as that’s the night the reunited original Dixie Dregs will hit the stage for the
R.L. Boyce never played the blues to get famous. Working and living in North Mississippi town of Como (population 1240), Boyce always played guitar and sang the blues just because
