[rating=9.00] When you win a Grammy as Ben Harper and Charlie Musselwhite did in 2014 for Get Up! an encore is certainly called for. In No Mercy in This Land
[rating=9.00] There are times where a band’s name and album cover provide little or no indication of what to expect. And when said references offer an image that’s the exact
[rating=8.00] Within the span of three studio albums, one being a holiday collection, Kacey Musgraves established herself as sharp-witted, sincere, and assured. Her brand of country music recalls the storytelling
[rating=9.00] We are reaching the point where many of our favorite artists are pausing to reflect, as if to ask whether they would record their beloved songs the same way
The 2019 Cruise To The Edge, Proggers of the Caribbean, progressive rock’s preeminent fan/artist experience, kicks off its public on sale beginning today (3/28). Cabins are available at CruiseToTheEdge.com, with
The Easy Eye Sound Revue rolled into Brooklyn Steel on Tuesday, March 27th as Dan Auerbach brought a slew of Nashville’s finest to rock and roll around his excellent album Waiting
[rating=8.00] True to her reputation as a singular interpreter, Bettye LaVette will turn heads again with Things Have Changed, putting her own spin on Bob Dylan’s songs much the way
There’s a playfulness to the best old country songwriting, a kind of delight in turning a phrase, in surprising a listener. It’s a trick that Colorado Americana songwriter Jackson Emmer
On Fables, the forthcoming release from Ashland, Oregon favorites Slow Corpse, languid soul and gauzy dream pop float effortlessly over a bed of nuanced post-rock melodic complexity. Taut, arrestingly propulsive
Part of the “new school” of reggae, Los Angeles band Tomorrows Bad Seeds have been crafting a chilled out sound since forming in 2001. Their Southern California influences play a
