2018

[rating=7.00] There’s nothing immediately striking about AHI (an acronym of Ahkinoah Habah Izarh’s name and pronounced ‘eye’), and that seems to suit him well. Humble is an oft overused word,

[rating=7.00] Anyone who’s ever heard even a few notes culled from any Cowboy Junkies album released in the past 30 years will attest to the fact that they’re hardly the

[rating=8.00 In his essay for the seventh release in the Rolling Stones From the Vault archive series, San Jose ’99, Paul Sexton adopts a wizened but nonetheless insightful perspective writing

[rating=8.00] Eliza Gilkyson, twenty albums in, seems to be marshaling all her inner emotions, her feminist and political activism, as she challenges conventional religious beliefs while beseeching us to be

[rating=8.00] The fourth album from California based, post-black/shoe-gaze/black-gaze/whatever metal outfit Deafheaven is a transitional disk that manages to expand upon their foundation while reaching new audial heights. Ordinary Corrupt Human Love

[rating=8.00] If Jason Isbell is not yet a household name, he is at the top of the list when one mentions “Americana” these days. New West Records, likely wishing he

Facebook’s recent advertising campaign is all about, among other things, how fake Facebook accounts aren’t really our friends. But it’s depressing that we’re even at the point where we need