February 25, 2019

A Celebration of Mediocrity Like No Other: The 91st Annual Academy Awards

James Roberts February 25, 2019 No Comments

Well…it wasn’t quite the train wreck it might’ve been.

ALBUM ANNOUNCEMENT PREMIERE: Joslyn & The Sweet Compression Bring Enlivening Old School Soul & Funk To “What Did You Think Was Gonna Happen?”

Glide February 25, 2019 1 Comment

Soul band Joslyn & The Sweet Compression let all their pain, love, and loss flutter to the beat of slow-burning guitar grooves and funkadelic, old-school melodies on their upcoming self-titled

ALBUM ANNOUNCEMENT/PREMERE: Neo-Traditionalist Nicholas Mudd Paints Love Song To Current LA Country Music Scene On S/T Debut LP April 12th

Glide February 25, 2019 No Comments

Neo-traditionalist Nicholas Mudd steps in the twangy lore of yesteryear with his self-titled debut LP set for release on April 12th. In 2011, Mudd hopped on his Harley and hit

VIDEO PREMIERE: Drunken Prayer Taps Into Delicate Gothic Folk Sound with “Fifty Foot Locust”

Glide February 25, 2019 No Comments

Drunken Prayer will likely bring to mind The Band for a lot of listeners, with the sense of place and tradition. But Morgan Geer’s songs and his singing often suggest

Caroline Rose Shows She’s Got Soul to Sold Out Crowd in Portland, OR (SHOW REVIEW)

Neil Ferguson February 25, 2019 No Comments

If you need proof that it’s a good time for rock and roll, Caroline Rose is it. Over the years the Vermont artist has evolved from a folkie into a

Peter Frampton Confirms Farewell Tour- Reveals IBD Diagnosis

Glide February 25, 2019 No Comments

Legendary guitarist Peter Frampton has confirmed Peter Frampton Finale—The Farewell Tour presented by SiriusXM. The primarily U.S. tour, produced by Live Nation, will begin on June 18 in Tulsa, OK and continue throughout

Drenge Hauls In The Sonic Layers, Scary And All, On ‘Strange Creatures’ (ALBUM REVIEW)

Steve Ovadia February 25, 2019 No Comments

The easiest way to explain Drenge’s Strange Creatures is to use “When I Look Into Your Eyes,” the closing track, as a microcosm of the entire album. The bones of