SweetWater Brewing Company has unveiled the headliners for the 2025 420 Fest, marking the festival’s 20th anniversary with an epic celebration of music, culture, and immersive experiences. The highly anticipated
MerleFest, presented by Window World, has announced the initial lineup ahead of the annual event, taking place April 24-27, 2025 on the campus of Wilkes Community College. This year’s leading acts include two
English art-rock quintet Squid has announced their new album, Cowards, out February 7th via Warp Records and shared its lead single, “Crispy Skin.” Now on their third album, the band — Louis Borlase, Ollie Judge, Arthur Leadbetter, Laurie Nankivell, and Anton Pearson —
After performing The Black Parade album in its entirety at the most recent When We Were Young Festival, My Chemical Romance (Gerard Way, Ray Toro, Frank Iero, and Mikey Way) will be celebrating The
Arbes is an alt-rock and dream pop group from Melbourne that understands the alchemy of texture. 2015 was the year that Arbes caused a commotion within the international bedroom/dream-pop scene
Indianapolis alt-rock quartet Bonnie Lola seamlessly blends hard rock riffs, funk delivery, and new-wave instrumentation. Their songs range from sprawling, psychedelic journeys like “Blue Imagine” and “I’m Going Home” to
Sunny War returns with Armageddon in a Summer Dress on February 21, 2025, via New West Records. The 11-song set was produced by Andrija Tokic (Alabama Shakes, Hurray for the Riff Raff)
Beth Gibbons, the enigmatic, emotionally compelling voice of trip-hop pioneers Portishead, will make her North American solo debut, and a new collaboration between Julien Baker & TORRES are just two of the
Folks wear black for a whole host of reasons. Some people just think it looks cool, whilst others may be making a fashion statement, perhaps acknowledging humanity’s apparent insignificance set
Josh Gilligan’s wise, full-hearted debut opens where most albums might end: with an epiphany. “It takes a lot to be anything at all,” he sings on the chorus of “Anything,”
