
Weirdo Wednesday: Toni Basil Special From 1982
New Wave was a peculiar genre of music by default, producing dozens of oddball one-hit wonders back in its early 80s heyday. One such example was Toni Basil’s quirky 1982
New Wave was a peculiar genre of music by default, producing dozens of oddball one-hit wonders back in its early 80s heyday. One such example was Toni Basil’s quirky 1982
On Monday, May 6, blues icon and living legend Buddy Guy continued to defy Father Time, delivering a scorching performance at Boston’s Wilbur Theatre. As a spry 87-year-old, Guy’s fingers
We should expect nothing less than a tongue-in-cheek album title from consistent BMA winners Rick Estrin and the Nightcats. Even the clenched fists from all four band members that grace
As the elder on the piano-centric new label Artwork, we would expect another solo or perhaps a trio album from NEA Jazz Master Kenny Barron, who recently turned 80 and
Wand regenerates again with their most ambitious work yet: Vertigo, out July 26 on Drag City. Turning from their Plum/Laughing Matter-era quintet, Wand now emerges in quartet form (Evan Backer, Evan Burrows, Robbie Cody, Cory Hanson) with a noir-tinged record looming
Canna Man has been a long-standing and notable character in Danish rap culture. After many years of releasing music in predominately English, he cemented his position as Denmark’s only true
Bouncy melodies are juxtaposed by eerie storytelling on Reedus 3m’s “Feeling Back.” The artist’s ability to make heavy topics so danceable and infectious showcases a diverse array of talents. The
GUM / Ambrose Kenny-Smith – made of Jay Watson (Gum, Pond, Tame Impala) and Ambrose Kenny-Smith (King Gizzard & The Lizard Wizard, The Murlocs) – announce a new collaborative album, Ill Times, out July 19th. This is
The last time this writer had the pleasure of seeing Ty Segall at Thalia Hall, he started his performance by crawling up to the microphone, sporting his trademark Sloppo baby
If you haven’t heard of Teezo Touchdown, you must be taking a break from social media. The Texas-bred genre blender has graced the cover of Rolling Stone, worked and toured