Beatles Covers

Cover Wars March Madness: Round 1, Pt. 1

Last week, we kicked off the beginning of Cover Wars March Madness by announcing our first ever “play-in” game. We took ten covers that had not previously participated in a Cover Wars and let the readers select up to three for automatic entry into this year’s tournament.

The winners of the play-in round are:

1) Live and Let Die (Paul McCartney) as performed by Perpetual Groove
2) Across 110th Street (Bobby Womack) as performed by My Morning Jacket
3) FM (Steely Dan) as performed by 2D (Gorillaz) featuring Nathain Haines

The other 29 entries already gained entry into the tournament the conventional way – by winning a Cover Wars in the past year. Now that we’ve got our 32 covers selected, let’s take a look at the matchups…

Matchup #1 (Bob Dylan Covers):

The Black Crowes – Rainy Day Women #12 & 35

In addition to performing the song live, The Black Crowes also contributed a studio take to this 1995 disc for NORML that also includes Gov’t Mule performing Don’t Step On The Grass, Sam, and Widespread Panic’s studio take of And It Stoned Me, amongst other tracks. Source: Hempilation: Freedom is NORML

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/04/rainydaycrowes.mp3]

VS.

The Black Keys – Wicked Messenger

There are some real gems from the 2007 I’m Not There soundtrack and this is one of them. Previously on Cover Wars, Stephen Malkmus and the Million Dollar Bashers contributed a cover from the same release for Ballad Of A Thin Man. Source: I’m Not There (Music From The Motion Picture)

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/05/bkmessenger.mp3]

READ ON to vote in the remaining seven matchups for the the first half of Cover Wars March Madness Round 1…

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Cover Wars: Tomorrow Never Knows Edition

There is certainly plenty to read up about in regards to this week’s selection, The Beatles’ Tomorrow Never Knows. From the origin of the title to the revolutionary vocal recording techniques to the LSD inspired lyrics, the whole thing is quite interesting. Also of note is that while it is the closing track on the album, TNK was the first song recorded for Revolver.

Cover Wars

My favorite quote regarding the recording comes from legendary engineer Geoff Emerick. Sometimes I forget just how much The Beatles revolutionized the recording process as we know it…

It meant actually breaking into the circuitry. I remember the surprise on our faces when the voice came out of the speaker. It was just one of sheer amazement. After that they wanted everything shoved through the Leslie: pianos, guitars, drums, vocals, you name it!

Checking on last week, Grace Potter finished in first and Built To Spill came in second with another big chunk of votes in the Cortez The Killer Cover Wars. Checking in on two week’s ago, moe. and Umphrey’s are still battling it out over Can’t You Hear Me Knocking without a clear winner.

801: Technically, 801 titled this track TNK when they first released it in 1976. The lineup for 801 is: Phil Manzanera (guitar), Brian Eno (keyboards), Bill MacCormick (bass), Simon Phillips (drums), Francis Monkman (keyboards), Lloyd Watson (slide guitar). This shit is bad-ass. Source: 801 Live

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/05/tomorrow801.mp3]

READ ON
for the rest of this week’s Cover Wars contestants…

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