Cris Jacobs Talks Baltimore, The Bridge, The Dead, Touring With Sturgil & Winwood & New Album ‘One Of These Days’ (INTERVIEW)
Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
John Fred Young Of Black Stone Cherry Serves Up Another Round of Candid Hard Rock Insights (INTERVIEW)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
SONG PREMIERE: Lynne Hanson Balances Smart Break-Up Lyrics with Cool Country-Blues On “Just A Little Bit”
SONG PREMIERE: Hamish Anderson Drops Biting Guitar Acrobatics On “Late In The Evening”Off Upcoming Album ‘ELECTRIC’
SONG PREMIERE: Dana Cooper Unravels Scenic & Stirring Americana Via “The Ghost of Tucumcari” (Featuring Lyle Lovett)
Tour Dates: Forked Up Jeffrey Greenblatt February 9, 2010 6 Comments Love ’em or hate ’em, the folks at Pitchfork sure know how to put together a music festival that is big on heavy hitters and low on price. The influential Read More
Altoist Charles McPherson’s Lyricism and Improvisation Still Burns Bright on ‘Reverence’ (ALBUM REVIEW)
SONG PREMIERE: Lynne Hanson Balances Smart Break-Up Lyrics with Cool Country-Blues On “Just A Little Bit”
Improv Collective Bright Dog Red Returned With Ambitious Two Albums: ‘Bad Magic’ and ‘Hegemontized’ (ALBUM REVIEWS)
